Most audiophiles don't use tone controls out of ignorance. Unless your music collection is comprised of perfectly recorded music, then at some point you'd be better off with some form of tone controls. Tone controls shouldn't be used to correct system or room problems, but to address problem recordings. I believe the audiophile prejudice against tone controls is a relic from the all analog days when added circuitry did add noise and otherwise distort the signal. I a digital environment that simple is no longer the case. Tone shaping/equalization can now be precisely applied without any deleterious artifacts. There's tons of great, but less than optimally recorded music out there. You can either not listen to it, listen to it and wince or enjoy it after twisting a knob. Your system should be a servant to your music collection, not the other way around.
As with all things audio, there are good an less good implementations of tone controls. Tact, Z-Systems and Drawmer make excellent digital tone controls/parametric EQs. Cello and McIntosh make very usuable analog tone controls.
As with all things audio, there are good an less good implementations of tone controls. Tact, Z-Systems and Drawmer make excellent digital tone controls/parametric EQs. Cello and McIntosh make very usuable analog tone controls.