Kharma CRM 3.2F vs. Avalon Eidolon and Diamond

In response to Vincentkkho,

I did hear the Avalon Eidolons once 5 year ago at a dealer and they sounded very dynamic in combination with a Spectral 150S, Spectral DMC 20 and Mark Levinson CD player.
But I heard them at other demonstrations recently and they sounded undynamic to me. The recent demonstrations were set up in a hurry I guess without paying enough attention to placement and room treatment so offcourse you are right about hitting the right sweet spot.
At home my experience is that the more I play the more dynamic they sound. That is why think there is a certain stifness of the woofers. Maybe also the humidity/temperature/electric mains plays a role.
I saw an article on Internet comparing different speakers (horn speakers from Germany), Kharma, the Marten Design, Sound Lab, Avalons Eidolons and Wilson Speakers and they had the same conclusion about the relation between reticense/laid back character of the midbas and amplifier power for the Eidolons. They also said that they expected that the design of Diamond version (and the newer Vision) is an attempt to solve this problem.
Furthermore: If I remember it correctly the test of Martin Collems of HFNRR mentions a certain darkness/dullness.
I have changed one year ago from thick carpetry to parquetry to get a more lively/less dull sound and that helped a lot for the high frequencies but of course did nothing for the midbas.

If you have a Spectral/MIT/Avalons set you will have a nicely balanced combination: the ingredients of the combination are not neutral but the total sum is (dependent on the room and placement of course).
So what is your combination?

I bought the Eidolons because I had electrostacic loudspeakers for about 20 years and I wanted 3-D electrostatic sound without the huge dimensions and necessity to use class A OTLs (I had 200 Watt Fourier Pantherres OTLS) to power them.
But nothing is perfect in this life and the Eidolons certainly are not. Eg with the change from Martin Logans Monolith-3 to the Eidolons the quality of the bas (eg piano) improved a lot but the enjoyment of listening to Baroque music decreased somewhat. Electrostatic speakers with tube amplifiers are per definitions optimal for Baroque.

Although I live in the Netherlands I have no experience with the Kharma but I own Avalon Eidolons for 2.5 years.
The woofer of the Eidolons is very laid back, stiff, somewhat reticent : you need a big amplifier to diminish the reticent/dull character. I have a Spectral 250 power amplifier which is very open, fast but the authority is missing.
I tried a Pass 250.5 briefly and even this small Pass amplifier has more authority at low frequencies.
But the Pass gives a dryer ambiance and is less smooth and is somewhat static. I think that I prefer the Pass for big classical orchestras and the Spectral for vocal and jazz.
I heard that diamonds have the same woofer but with a stronger motor which is 2 dB more efficient. Total efficiency remains the same (87 dB/1 Watt) however.
Furthermore placement is critical: I prefer different distances to the backwall for classical and pop: if the distance is one inch to much the sound becomes too thin (midbas) for classical and if the distance is one inch less I get too much bas with pop music.

In response to Vincentkko,

I recently found out why the sound of my set up is so dull and liveless.
I had a VPI TNT HRX with VPI furnature: a steel frame with a 3 inch thick slab of wood.
The last 2 year I had a Creativ Big Reference rack with sand filled thick wooden shelfs.
I thought: well I have a professional rack now and I don't need these tip toes, Walker Valid points, Harmonix feet and seismic sinks ("bandages") anymore: wrong!!!!
Both the VPI furnature for the TNT and the Creativ racks give a mellow, dark, not very involving sound with not enough presence and not enough dynamics it components are placed directly on the wooden shelf. So all racks with thick wooden (sandfilled) shelfs are under suspicion.
So the English with their target racks with thin shelves and cheap Ikea tables for their LINN Sondeks are not completely crazy.

The dynamics, 3-D sound came back if a combination of tiptoes, Walker Valid Points and Harmonix feet are placed under the components.
So it is true that the room and audio furnature are often more colored than the components. So I someome tells you the components of his set you still don't have a clue of how it sounds.
Conclusion: the Eidolons are a little reticent in the midbas and are somewhat soft sounding but not so much as I thought a week ago.

My dealer wants to sell me a Finite element rack which should be less dark sounding as a Creativ rack: I am not shure whether the tiptoes, Walker Valid points, Harmonix feet and seismic sinks ("bandages") become obsolete with the Finite element rack : I don't think it is possible to get rid of material resonance for 100%.
Theoretically there are 3 solutions for audio furnature considering that all materials resonate:
-finite element calculations with tuning forks inserted in
the shelves
-air - seismic sinks
-contraint layer damping - symposium platforms

I bought a proven combination because of the problems with my set/(audio furnature): Spectral 4000 CD player, Spectral 250 power amplifier, MIT oracle cabling and Eidolons. Preamp is still a CAT Ultimate so I have to decide to go back to tubes (CAT JL2 or ARC) or buy a Spectral 30SL preamp. I had tubes for the past 15-20 years or so I hesitate.
Question: What is the difference between the Ultimate I and II?

I do not have the time anymore to keep such a long list of components as you have in good shape so went back to the basis and keep it relatively simple.
I had a Graham 2.2 in the past on my TNT V but the new VPI player (TNT HRX) couldn't be fitted with the Graham arm at the time (when I bought my HRX) and that was a pity- I rate the 2.2 more highly than the JMW memorial arm which is also somewhat mellow.

Regards,

Coen