How do you judge your system's neutrality?



Here’s an answer I’ve been kicking around: Your system is becoming more neutral whenever you change a system element (component, cable, room treatment, etc.) and you get the following results:

(1) Individual pieces of music sound more unique.
(2) Your music collection sounds more diverse.

This theory occurred to me one day when I changed amps and noticed that the timbres of instruments were suddenly more distinct from one another. With the old amp, all instruments seemed to have a common harmonic element (the signature of the amp?!). With the new amp, individual instrument timbres sounded more unique and the range of instrument timbres sounded more diverse. I went on to notice that whole songs (and even whole albums) sounded more unique, and that my music collection, taken as a whole, sounded more diverse.

That led me to the following idea: If, after changing a system element, (1) individual pieces of music sound more unique, and (2) your music collection sounds more diverse, then your system is contributing less of its own signature to the music. And less signature means more neutral.

Thoughts?

P.S. This is only a way of judging the relative neutrality of a system. Judging the absolute neutrality of a system is a philosophical question for another day.

P.P.S. I don’t believe a system’s signature can be reduced to zero. But it doesn’t follow from that that differences in neutrality do not exist.

P.P.P.S. I’m not suggesting that neutrality is the most important goal in building an audio system, but in my experience, the changes that have resulted in greater neutrality (using the standard above) have also been the changes that resulted in more musical enjoyment.
bryoncunningham

Showing 1 response by hamburg

“If, after changing a system element, (1) individual pieces of music sound more unique, and (2) your music collection sounds more diverse, then your system is contributing less of its own signature to the music. And less signature means more neutral.”

Not necessarily!

System Neutrality may not be the cause to it’s improved level of detail and musical uniqueness. Other factors may be involved.

Example:
If one were to wear yellow glasses while skiing during an overcast day, visual improvement in the snow's light and dark shadow detail would apparent. Those same glasses on a bright day would not be beneficial.

The improvements in your system may have actually increased the level of contrast above and beyond the original instruments of the musician.

This brings up another important point. If the music through your new system truly sounded better and this fact was agreed upon by fellow Audiophiles (with similar likes and dislikes); why does it matter that it does not sound like the original recording. ‘The absolute Sound –system Neutral.’ We don't even know if the original recording actually sounded like the performer. Was it enhanced by the engineer to compensate for the recording deficiencies or those of the musician?

The end product is for your enjoyment. If rose colored glasses and Woody Allen's Orgasmatron would heighten my experience, then it would and should be part of my listening routine.

Sound Improvement beats Neutrality