Considering Bricasti and Lampizator


I'm looking for a new DAC in the sub 10k range (used). After reading about several options here and elsewhere, the ones I find most intriguing are the Bricasti M1 and the Lampizator Big 7.

Has anyone directly compared these two great DACs? If you have: any thoughts about the differences, and which you preferred?

Just to throw a few talking points out there, here are a few things which make me a bit shaky about each option:

Bricasti M1:

Introduced in late 2011, so it's 3.5 years into its life cycle. Can it really hang with more recent offerings? Is a newer model coming soon?

Lampizator Big 7:

A dizzying array of options (caps, DSD, tube rolling, ...). Is this really the way off the merry-go-round?

Lack of stability in their product line, with new models and options coming out continuously. How does this affect resale value?
rrolack

Showing 1 response by timpani

If you like lots of color and excitement, the M1 is probably not your DAC.

The Bricasti is an example of engineering excellence rather than artistic expression.

Take a look at the analogue stages and you'll see that fast AD op-amps are employed to convert differential currents from the dac to balanced and unbalanced voltage sources.
  
This approach is technically sound and will result in good measured performance but is unlikely to please those with preconceptions that op-amps are bad, or those who prefer something more lush or warm, or conversely, hyper detailed. 

On the + side, the op-amps chosen are neutral in character, and particularly well spec'd for high speed integration applications.

On the minus side, the op-amps used are 8 pin DIL so there's never going to be future plug in replacement upgrades, because future op-amps with notably better specs (and unity gain stability) will likely be SMD packaged. Of course it is still possible that Bricasti will offer complete DAC module upgrades in the future, but also likely at a high cost.

 As it stands, the AD843 is probably the best op-amp available for the critical I to V conversion, but  that said, and fwiw, I have actually already experimented and replaced the unbalanced (2nd) stage AD843 op-amps with LME49710's, which are arguably better for this duty, and yes there was an immediate change in character; The the top end opened up and mids and treble became more detailed with just a hint of lushness and mid treble sweetness that made older and grainy recordings more approachable.  In my system it's really worked in a good way so I've left those op-amps in situ. 

Other op-amps would undoubtedly give differing results but  further experimentation isn't something I'm inclined to do in a hurry since I like the DAC the way it is, and in any case, even with a pro vacuum desoldering tool there's still a risk of damage to the pcb's when op-amps are changed, and without such a tool and requisite skills I would never have contemplated it in the first place.