Vandersteen 5a or Eggleston Andra II

"I would not hesitate to take a page out of Bob Ludwig's book and follow his choice."

I would. He used to use wilson's. very different. mastering peopole have some weird systems. Doug sax has a system I can;t make any sense out of.

As long as he can, it doesn't matter, of course.

Referring to the the words used in my thread " in another league". I went over the other day to listen again to the Vandy set-up and my opinion is the same. I do like the Vandy set-up but when I listen to the Eggleston set-up over all find it to be superior and can say it is in another league.

Possibly the Vandy set-up is not at it's best, gear, room etc. but I'm sure the owner would debate with you differing in opinion, he has had this gear for two years now.

or

Possibly the Eggleston set-up is superior.

Listening to these two set-ups it is very obvious, other individuals who have heard the two set-ups also agree along with the actual owner of the Vandy's and that is why they will be replaced shortly.

I do agree people do have their own opinions along with preference, personal taste and that is what makes the world go around.

I had a few emails directed personally to me, one being a little upset obviously a Vandy die hard. Vandy owners need not to take it personally it's only my opinion, I would love to hear your Vandy set-up and then you can hear the Eggleston set-up. Email me personally and then the out come can be posted at a later time.

Eggleston set-up;

Eggleston Andra 2's (On Sistrum platforms)
McIntosh 501 mono blocks
Audio Research Ref3 pre(currently comparing Supratek Sauv.)
Accustic Arts Dac MK4
Oracle 2000 transport
Stealth Sextet Digital AES connection, dac and transport.
Stealth Indra XLR, dac and pre.
Virtual Dynamics Rev. 2.0 XLR interconnect, pre and amps.
Virtual Dynamics Genesis 6 ft bi-wire speaker cables

Just for the record, I didn't send any emails on this subject. I have heard the Egglestons and the Vandys in THE SAME SYSTEM and their respective "leagues" were definitely the same. Now, given matches and/or mismatches of components, one of these pairs may sound better than the other in that particular system to a particular set of ears. In fact, I have heard the Egglestons take the edge in one system while the Vandys were clearly superior in another. All I am saying is that this comes down to preferences and sage component matching.

Offering the "different league" statement, one would expect to find one speaker besting the other in all settings and by a significant margin. And, I'll wager my system that if you assembled 20 folks without an agenda and did a blind test, this would not be the case, at all. Fine that you like the Egglestons, but I still say that claiming them to be in a different league than the Vandys is just plain silly. But, whatever, I mostly responded again such that others would not think that your claim of receiving emails from unnamed sources did not include me.

I would. He used to use wilson's. very different.

What is so wrong with Wilson's are they weird too?

mastering peopole have some weird systems. Doug sax has a system I can;t make any sense out of.

I agree that the audio industry has it's share of eccentrics.

However, are you suggesting that you don't trust/respect the choices of successful mastering engineers that are demanded by top artists and top producers for their critical listening/mastering skills?

Are you suggesting that when they master CD's/SACD's on these speakers that you can dramatically improve on the sound they produce by using another speaker at home?

What would you recommend that is so much better than Bob Ludwig's tailored $100,000 Eggelston Ivy's?

If you say that their taste is for too detailed and precise of a presentation and that you prefer a laid back warm colored sound ....then I understand completely and you have a good point.

Mothra,

I was intrigued by you "weird" and Wilsons comment and tried to find out what other weird speakers Bob Ludwig might have used. I found nothing on Wilsons, although it is hardly suprising that he would indeed like high end Wilsons. Why not?

Here is what I did find;

Bob Ludwig Nov 25 1997, 3:00 am show options
Newsgroups: rec.audio.high-end
From: "Bob Ludwig" - Find messages by this author
Date: 1997/11/25
Subject: Re: Opinions Wanted Re: ATC20 & ATC50 Active Monitors
Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse

Dear Gregory,

I use the ATC50s at home and I like them a lot.
At our studio we use the ATC100s (a larger more rugged version) in
our editing/CD preparation room. We use a sub-woofer with the ATC
100s in the studio, at home I haven't felt the need for one.
Generally, I found the ATC 50s a more perfectly balanced speaker, but
the 100's have withstood hour after hour of use in a professional
edit room with no component replacement needed in almost 5 years.
Clients like them a lot, too.

Bob Ludwig
President
Gateway Mastering Studios, Inc

Note that this is an old thread before he switched to Eggleston Ivy's at Gateway Mastering. I think he has also used DunTech Sovereigns in the past but I am not sure.

Anyway, hardly suprising that Bob has used a lot of well known respected speakers after all he must use speakers nearly 8 hours a day five days a week. On Artists Direct website Bob has over two thousands credits as audio engineer.

Does it mean that Bob's Ivys are the absolute best or his Andra II surround system is the ultimate, in another league. No I don't think so...but these systems would be damn good choices for anyone and obviously, if not in another league at least up there with the very best; I suspect that all Bob's choices past and present are pretty solid.