Beatles Reissues on VINYL Finally


Set to ship on November 13th, 2012.

The Beatles Stereo Albums 180g 16LP Limited Edition Box Set, plus available as individual LPs.

All 12 Studio Albums plus Magical Mystery Tour and Past Masters in a Stereo Box Set.

Sourced from the Original Master Tapes.

Cut at Abbey Road Studios by a First-Rate Team of Producers and Engineers.

Proper care and a painstaking series of steps were taken to ensure that music lovers would hear the Fab Four in all their glory. With EMI’s legendary Abbey Road Studios providing the backdrop, the four-year restoration process combined veteran expertise, state-of-the-art equipment, vintage studio gear, and rigorous testing to net what is without doubt the highest fidelity possible and authentic, jaw-dropping sound guaranteed to rival the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings.

At the start of the restoration process, engineers conducted extensive tests before copying the analog master tapes into the digital realm using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance, and poor edits were improved upon as long as it was determined that doing so didn’t at all damage the integrity of the songs. Similarly, de-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. Compression was also used sparingly and only on the stereo versions to preserve the sanctity of the dynamics.

A rigorous string of checks and balances ensured that the results exceeded expectations. Subject to numerous playback tests, songs were auditioned by the remastering team to determine if any lingering mistakes needed correction. The restored versions were also compared side-by-side against the original vinyl pressings (loaded into Pro Tools), and then again auditioned in the same studio where all recent Beatles projects, including Love, were mixed. Once all EQ issues had been addressed, another round of listening litmus tests occurred in still another location. Finalization required the approval of everyone involved in the remastering process. For this project, there was no such thing as too many cooks in the kitchen. Yes, it took a village to get it right.

Each album features original U.K. vinyl album artwork, original U.K. track listings, expanded booklets containing original and newly penned liner notes, recording notes, rare photos, and fold-out packaging. Everything comes housed in a tall, glossy, hard black lift-top case augmented with a magnetic clasp.
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For the vinyl purists out there, isn't it true that vinyl that comes from digital still has the problems associated with digital, and in fact is digital played with a needle? This is like the old AAD cd's only put back on vinyl. It's fake vinyl. The only vinyl I would buy is analog vinyl. I have the mono cd's, they're good but not vinyl.
For the vinyl purists out there, isn't it true that vinyl that comes from digital still has the problems associated with digital, and in fact is digital played with a needle? This is like the old AAD cd's only put back on vinyl. It's fake vinyl. The only vinyl I would buy is analog vinyl. I have the mono cd's, they're good but not vinyl.

i'm a vinyl purist.

there are quite a few good sounding Lps sourced from digital recordings. i have many dozens of Lps that come to mind, particularly late 70's and 80's classical digital recordings which sound good. would they sound better if they had been analog recordings? sure, but they were not and if we like the music on vinyl then we have no choice. i have CD's of many of these digitally sourced Lps and the Lps sound better by far.

as far as what a digitally sourced recording does to vinyl in a general sense, there are plenty of opinions, but it just has less meat on the bones and lacks the air, ease, ambient detail, and overall detail. but these things are matters of degree. a digital recording is not an evil thing, it's just less of the good things.

and there are plenty of crap sounding Lps sourced from digital recordings too. too numerous to mention.

but.....to take an analog recording (likely the most significant in history based on interest), dumb it down to digital, and then put it on vinyl.....that cannot ever be as good as keeping it analog. the only excpetion is when the analog tapes are damaged in some way and need digital repairs.

and that is what is a shame about this Beatles set; what it could have been!
Its so absurd, when Abbey Road had the master, why didn't they do both the vinyl and cd's (SACD's) at the same time. Stupid as stupid gets.
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In a New York Times article on 9/28/12 they were mentioned. It also stated that mono versions are coming in 2014.
Mono vinyl would require a second tone arm and mono cartridge... it's only money...