Kharma 3.2 to MidiGrand Upgade???


Anyone have experience in upgrading from the 3.2 CRM enigma to the Midi Grand Ceramiques w enigma?

What improvements/benefits can be had and you've experienced? Very interested in what is possible with low powered tube amps, specifically Lamm ML2.1's etc.

On paper the Midis are more efficient. Are they easier to drive than the 3.2's or does their impedance dip more significantly than with the 2 ways? Also interested in feedback regarding room size, bass integration, etc.

I'm interested also in any comments regarding the new ceramique sub and if its necessary / integrates well with the midis. I am seeking to be able to reach realistic symphonic levels with content loaded classical music and heavy electronica.
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Gentleman, you guys are spot on about the Lamm 1.2 Refs. Taking into consideration that this hobby is all personal preference in the end, I think that Paul Bolin of Stereophile absolutely NAILED his review of the Lamm 1.2Refs. For my money, I have NEVER heard an amplifier sound more "right" in my life. Yes, synergy and system matching are also of paramount importance. But, this amp gets to the soul and emotion of the music, it is balanced throughout the frequency spectrum and simply does not "show off" or call attention to itself in that "hifi" "look at me" way other amps tend to - it is so organically honest to the timbre of the music and so tonally truthful that, as Paul said, it is not made to impress your friends in a two minute demo but to savor over the long haul. It IS an improvement over its critically acclaimed predecessor, the M1.1. which I owned for 5 years. Right now I also have the Lamm ML1.1s in for audition and, although they sound great, the 1.2Refs are simply better and more neutral without any of the negatives usually associated with solid state gear. I too auditioned the ML2.1s and liked them a lot but decided on the 1.2 Refs. The M1.2 Refs also do not have any of that slightly dark character so many people accuse the former Lamm gear of - but they also NEVER have that glassy or glaring sound either. It is nice to come home again. My hat's off to Vladimir!

If any of you ever get to the Metro Detroit area, you have an open invitation to stop by and bring some of your favorite music! That includes you too Sirspeedy (even though I am one of those dreaded BIG Kharma owners and that lowest life form - a reviewer, no less!!) However, I PAY for my gear up front!
Fmpnd,I'm reserving a ticket,as we speak.On a personal level,I have a dear friend who is a former reviewer,and is NOT a "low life form".He is a great guy.Although you were probably kidding,please don't misunderstand any of my comments.That being said,being in the NY/NJ area with my local yokels I've met and been to the homes of quite a few of these types,which you are clearly not.The majority of these gents truly seem to be in the industry for the discounts.I know of at least 2 that have come back into writing just because they want to upgrade something.This is a fact!As for my own feelings about what I seem to bloviate on,admittedly too much,I really miss the days(you must remember)when the mainstream press was not so advertising driven,and the mags really seemed to care about their readership,no,make that subscribers.I know of too many exagerations in reviews,first hand to give credibility to more than a handfull of selfish hobbyists,disguised as reviewers!I also own,and can afford quality stuff,so,this is no case of envy.God forbid.Anyway,sorry for bumming you out, you really do seem to be a sincere person,just for the mention of allowing a stranger to audition your,apparent,wonderful set-up,even in jest!
Interesting insights Fmpnd, although I think you're one of the few I've heard from who actually prefered the M1.2 over the ML1.1s. Since you chose the M1.2s, I'm guessing you preferred it overall over the ML2.1s as well?
Sirspeedy, no offense taken. Honestly, I am a MUSIC lover first (as a former professional musician whose career was abruptly ended by an accident) and I also confess to having developed at an early age an infatuation with the equipment that delivers the music. However, as I have grown older I have learned much and realize that I make tons of mistakes like anyone else. At times, as I have stated before in this forum, when I have spent more and more money, on what sometimes but certainly not all the time, is better and better gear, the problem is that my expectation level goes up and I listen for that more expensive component to justify its additional cost. Then, I listen too critically for "audiophile tricks" rather than for the emotional content of the music which is why I listen in the first place. Obviously as a reviewer, you are supposed to listen like that to a certain extent - but too much of that, IMHO, is to miss what music is about.

I also think you bring up valid gripes about reviewers - but, as in almost any profession or endeavor, there are good and there are bad and, unfortunately, the bad usually get more press so as to taint the entire group's reputation. I have made a couple of friends who are reviewers and they truly love both the music and the gear.

Personally, I think a reviewer becomes MOST dangerous, when he/she takes him/herself too seriously and forgets that they are JUST another opinion (regardless of technical knowledge or the cultivation of their ear) and that they ALWAYS place the equipment under review into a system with A NUMBER of variables. As such, the review is only a starting point of information and should be not be taken as an absolute but in context of THAT reviewer's tastes, preferences and experiences with other gear.

I also think too may people are a little too sensitive when someone, especially a reviewer, disagrees with their opinion of their gear. It seems as if some people get their identity from their systems. Think about it, how silly would I sound if you come to my home and I get upset that you like Coke because I like Pepsi! Isn't that exactly what many of us do when we get upset that person A hears something different than person B listening to Amp "X?" Worse yet, it would really be like getting mad that I like Parkay maragine instead of butter when it is only part of a bread recipe!!

As I always say, in the end, we make our own money and we decide how to spend it based on our own tastes, preferences, experiences and priorities so all that really matters in this hobby is: "Are you happy with what you spent and did you acheive your goal?"

With the Lamm 1.2 Refs, I have learned that I got away from the emotional content of the music. They have allowed me to reconnect to the core of why I started in this crazy hobby in the first place. And yes, Howie, I liked the 1.2 Refs the best as they matched the best with MY gear - however, that may be different for other people.

And NO, the offer to come by and share my love of music is NEVER in jest, it is always serious and my door is always open to people who love this hobby - that is how I learn more about this hobby and new music as well! So, book that flight!
Fmpnd,now, why the Hell did you have to go and "BE SO DAMN NICE".I may have to take you up on your offer some day.Of course,because you seem to be such a truly sincere and decent gent I would not be able to abrubtly criticize your set-up,in your presence,at least.Not that there seems to be anything I'd dislike about it.By the way,don't be so hospitable to the likes of the audio community,as there are those who could take advantage of your hospitality,with "not so good" intentions, of their own.This happened to me about 20 years ago.I got ripped off(a Tandberg tapedeck).I learned my lesson regarding strangers,and, hope you don't experience anything like that!