The Engineer's Shoes..


We Audiogoneers share a love of audio and music. Discussions can be impassioned; feelings frequently run high, and sometimes debate will descend into pitched battle.
But why? Consider the Chain.

1. The choice of music.
2. Is the music electronic, amplified, or acoustic?
3. The choice of musicians.
4. The choice of recording venue.
5. The choice, and positioning of microphone(s)
6. The choice of equipment to record.
7. The choice of transducer to listen to the recording
8. The choice and tastes of the engineer.
9. The choice and tastes of the final mixer.
10 The transducers used by the mixer.
11.The final transfer medium.
12.The listener's playback device.
13.The listener's speakers.
14.The listener's mood.
14.The listener's room.
15.Everyone's ears and hearing.
16.Etc, etc, etc

And we debate the merits of cables?
In this veritable sea of arbitrariness where every variable there could be is loud and clear I wonder how it's possible to debate anything but the music itself - and that of course is nothing but taste defined! A properly conducted debate would have clearly defined goals, and in an ideal situation where there are multiple variables then these would be eliminated in advance. But we allow (and maybe enjoy) the reviewers to use words like "liquid" to describe a midrange - and how can we not! To reduce everything to a set of graphs and numbers is an approach doomed to failure -because the recordings themselves have absolutely no Absolutes.
And what if the engineer's shoes were pinching on the day of the recording? Wouldn't that make a difference too?. I'd like to think of him or her as a person, not a machine.
As most of us do, I love this hobby: I love most things about it. I especially love the fact that ultimately it's just about the music. I even enjoy some of the fringier debates. But I do wonder how any debate could be successfully prosecuted. My speakers, your speakers, my amp, your amp? Ultimately they're all pretty marvelous: perhaps even cables are cool.
But I can't help thinking about that chain, and maybe those shoes....
57s4me
Onhwy61,
I always worried about the "Prime Directive". They always talked about it but never seemed to actually implement it. What a joke! :^)
57s4me - Point taken. In this context, our (audiophile) end can seem to get a little silly.
But why? Because many folks believe they have the correct answers. I, on the other hand, smile as I put another record on the turntable and relax...
Words are not without meaning for they do convey some information, but based upon numerous other threads it's unlikely that we could ever reach a consensus of what liquid or organic sound means. It may be useful to describe what we hear, but is it really necessary?
Onhwy61,
I see the point you're making but as human beings how else to communicate without a common language? For example I've been asked more than a few times by interested people to describe the differences in sound between my SET 300b and my 100 watt class AB push pull amplifiers. It's only possible to do if I use very descriptive words and phrases to construct a mental image that would be understood. If I said one has more bass weight and authority yet the other has superior texture, ,articulation and is more tactile, I believe most would correctly get my meaning. I can't think of a better way to communicate my impression to another person.
Regards,