The Engineer's Shoes..


We Audiogoneers share a love of audio and music. Discussions can be impassioned; feelings frequently run high, and sometimes debate will descend into pitched battle.
But why? Consider the Chain.

1. The choice of music.
2. Is the music electronic, amplified, or acoustic?
3. The choice of musicians.
4. The choice of recording venue.
5. The choice, and positioning of microphone(s)
6. The choice of equipment to record.
7. The choice of transducer to listen to the recording
8. The choice and tastes of the engineer.
9. The choice and tastes of the final mixer.
10 The transducers used by the mixer.
11.The final transfer medium.
12.The listener's playback device.
13.The listener's speakers.
14.The listener's mood.
14.The listener's room.
15.Everyone's ears and hearing.
16.Etc, etc, etc

And we debate the merits of cables?
In this veritable sea of arbitrariness where every variable there could be is loud and clear I wonder how it's possible to debate anything but the music itself - and that of course is nothing but taste defined! A properly conducted debate would have clearly defined goals, and in an ideal situation where there are multiple variables then these would be eliminated in advance. But we allow (and maybe enjoy) the reviewers to use words like "liquid" to describe a midrange - and how can we not! To reduce everything to a set of graphs and numbers is an approach doomed to failure -because the recordings themselves have absolutely no Absolutes.
And what if the engineer's shoes were pinching on the day of the recording? Wouldn't that make a difference too?. I'd like to think of him or her as a person, not a machine.
As most of us do, I love this hobby: I love most things about it. I especially love the fact that ultimately it's just about the music. I even enjoy some of the fringier debates. But I do wonder how any debate could be successfully prosecuted. My speakers, your speakers, my amp, your amp? Ultimately they're all pretty marvelous: perhaps even cables are cool.
But I can't help thinking about that chain, and maybe those shoes....
57s4me
I like going barefoot myself.
The purer the recording (the less it's messed with) the better.
It makes determining amps, speakers and cables that much easier.

All the best,
Nonoise
The audiophile universe has developed a pseudo-technical language. It's part copyright hype and part nonsense. All the talk of continuousness, harmonic envelopment, PRAT, etc. are used purely for entertainment purposes. If you think you know what they mean, then fine, but don't worry about it if you have no idea what the words mean. If you've ever watch any of the "Star Trek" shows or movies, did you give serious thought to "subspace" or "warp core breaches"? I hope not. I do know that having a continuous soundstage with engaging harmonic envelopment plus good PRAT are a good things and something I want to have, but I don't know what any of that stuff really is. Could be I just need to relax or maybe even cross circuit to B.
I don't know how one can attempt to effectively communicate and convey their thoughts to strangers without descriptive vocabularies. Adjectives are both useful as well as necessary to express what one hears which is of course a subjective endeavor. Terms such as fluid, ,liquid, organic, thin, harsh, saturated, airy , etc.These are useful and gives me a strong sense of what someone is trying to explain. I guess we're ll different in this regard.
Onhwy61,
I always worried about the "Prime Directive". They always talked about it but never seemed to actually implement it. What a joke! :^)