Fidelity Research cartridges


Any FR cartridge experts out there? Raul? Dertonarm? Syntax?
I have had an FR-7 which I bought a while ago. I tried it ever so briefly when I got it on an arm I now recognize as not being able to handle that weight (close, but no cigar). I just now pulled it out for kicks and after getting it adjusted with the big counterweight, I am VERY pleasantly surprised. Actually, I'm feeling kind of bubbly. It does not dig out the utmost in detail, but it just sounds very right.

Are there any other FR carts out there which are real steals if still in good condition? I know the MC-702 and the FR-1Mk2 and Mk3f by name, with good reps being assigned to the Mk3 and the MC-702. Given that the MC-702 and the FR-7 look quite similar, and they were offered at about the same time, what is different? And is the FR-7 just an integrated headshell version of the FR-1Mk3?
t_bone
This thread:

Prices of oldskool tonearms


The Fr-702 was made for Europe I think, it is quite rare. All those Fr-7 cartridges are around 0.19mV, 45 khz
The only exception is the FR-7fz, this one is about 0.24mV
Some have different needles (spheric-elliptical), all of them are worth to get them.
Based on their superior construction (sealed rubber) they don't get "old".
Fr-7 was in the 1. Batch called FR-1 MK7
T-Bone: Both the FR1 and FR7 were air-core MCs, so in a v-e-r-y general sense you could regard the FR-7 as being an integrated headshell version of the FR-1. In reality the 7 had a radically different coil former (cube-shaped), likewise for the magnetics (dual magnets, quad polepieces). IMO, the FR7s were by far the most interesting of FR's MC designs, but the 7's basic design concept dictated that they would always be big, heavy monsters, suited for relatively few modern arms. Even if FR had tried to make a non-integrated headshell version of the 7, the weight would have almost certainly remained daunting, and far heavier than any FR-1 variant.

My favorite FR-7s are the f and fz. I am not familiar with the 702, so cannot comment on it.

AFAIK, the FR-1 was one of the first stereo air-core MCs and can be considered groundbreaking as a result.

The PMC-3 is far less popular than the FR-1 or 7, but was influenced by the FR-7's thinking, and is certainly worth searching out. http://www.hifido.jp/KW/G0303/J/80-10/C08-42162-39384-00/

FR also had quite interesting MM designs. I'm not too fond of the electrical characteristics of most MMs (nor how they sound), but the low-inductance FR-5E is a notable exception. FWIW, the later FR-6 doesn't sound nearly as good.

Here is a webpage in Japanese that lists the Japanese-market cartridges that Isamu Ikeda was responsible for. http://www.asahi-net.or.jp/~zh7y-tkyn/cart.htm

regards, jonathan carr
Thanks Jonathan,
That table is great. Very helpful. But it shows some ridiculously low impedance for the FR-7. I am at a loss at how to even think about dealing with a 2-3ohm impedance cart. Anything special required? My phono stage has the ability to choose 25kOhm, 50kOhm, 100kOhm and capacitance at 100pF, 200pF, and 400pF. I cannot easily amend anything else right now. It's driving a Jadis pre. I am at 100pF and 50kOhm default levels. Is there anything I need to do to optimize that?

Using a PUA-9 arm with the heavy counterweight allows me up to 33g. Just squeeking in - thank heavens it's a stiff armtube. Wish I had a 506/30 or FR-66s handy but I don't.

I will keep an eye out for the PMC3 (do you think it's worth 40k? Guess it sold pretty quick...) and some of the better FR-7 series carts.
Dear T_bone, no worries about the low source impedance of the FR-7 family carts. Some Kondo, Ortofon MC-5000 and many other low output MCs do have similar low impedances. However I strongly recommend using a low impedance matching step-up transformer to offer the FR-7's coil inductance a matching partner - that way you will fully appreciate its sonic virtues and only then its full potential sees the light of day.

I am using FR-7fc, FR-7f (special modified) and FR-702 in my FR-66s/B-60. This combination - together with a suitable step-up - gave peace of mind to me and the tonearm/cartridge-question.

And yes - among the 30+ FR-7-series cartridges passing through my hands in the past 20 years there wasn't one single sample with a giving in suspension. These beast do live forever!! My prime sample has by now its 3rd stylus and about 5000 hours behind in its 25 years since birth.....

The FR-64s is a much better partner for any FR-7 as compared to the 506/30. Second only - by a small margin and only in direct comparism - to the FR-66s.

And indeed - the FR-7 was first named FR-1 MK7 - I do have the original first flyer at hand. FR claimed that it was a direct successor to the FR-1.
Jonathan and others, this is off-topic but while we are in the mood for older Japanese carts...

Have you ever used/considered the micromini-voltage Micro Seiki MC carts like the LC-80W, which puts out something like 0.0mV? Was it any good?