Grimm MU1 Streamer - Really "The Best"?


I've recently become interested in the Grimm MU1.  While reviews of top end players from Innuos, Aurender and Antipodes and others are typically all very positive, the tone of the many pro reviews of the Grimm MU1 go far, far beyond, with some reviews resorting to using superlatives and gushing of positive system transformation and not being able to stop listening to material, etc..  HiFi Advice and Steve Huff (actually calls it "magic") have such reviews.

Given the delay in availability of the Innuos Pulsar which I'm told will be better than my current Zenith Mk3 + PhoenixUSB reclocker, I am interested in replacing my streaming setup with a one-box solution that includes a high-precision clock.  The new streamer will continue to feed my Gryphon Diablo 300's DAC module, which I have no interest in replacing.

I'm actually a fan of Innuos, after they improved the sound of my Zenith with firmware updates and after I added their PhoenixUSB reclocker. I appreciate this commitment to improving sound quality which is why I was so interested in the Pulsar.

The trigger for considering an upgrade is not for improved sound, but rather, to solve some issues I have with too many Audioquest power cords coiled and clumped together. I will get to lose one of them and one of my USB cords with a one-box streamer. I've noticed my sound is very sensitive to positioning of my AC cords and find I often need to re-adjust the PC feeding my amp to get proper sounding vocals at center stage.  One of my subs also seems to be picking up AC noise when the crossover is set above 60Hz. The second trigger is simply system simplification, removing one box.  All that said I don't really have any complaints regarding sound, and the PhoenixUSB reclocker truly did improve the sound of my Zenith.

While the Grimm MU1 has it's 4X upsampling up it's sleeve with reviewers absolutely glowing over this feature and it's extreme ability to separate tones to the left, right, front, and back far better than the rest, I don't see that Grimm has gone to any lengths with regard to power supply management in the way other brands do including Innuos. The MU1's ultra-simplistic interior doesn't bug me, but the lack of transformers and power management makes me wonder....

Are there any updates from folks who have directly compared the MU1 vs similarly classed streamers from the competition?  Did you find it to be as revelatory as the pro reviewers found it? And, how does it compare to other streamers with it's 4X upsampling disabled?  Does it sound like it suffers from it's lack of power management?  I do see that the clock should be very good...

 

 

nyev

“to be substantiated through my testing….”
@nyev

That’s been my motto as well. Only through testing within the context of our systems we can leverage the strengths and recognize weaknesses of a given component. All else is pure speculation or simply an opinion. Given my extensive experience with N20, the N20 performance greatly varied by what’s ahead in your chain. With EMM DA2 DAC, I enjoyed N20 more with AES over USB. Not that USB sucked but I preferred AES as it sounded more addictive and natural to my ears. Granted, I was using two different brands of cabling. Another friend of mine, reported similar traits, N20 connected through AES to his MSB Reference DAC.

Later I switched to a Network Attached DAC with external clock and power supply. The N20 connected to my DAC via LAN (no USB or AES cabling) and re-clocked by external 10MHz clock was a different beast all together. The effect of external clock on N20 was pretty startling to say the least. The channel separation, lower distortion and a greater phase clarity became the hallmark of music signal. The new level of realism, more analogous, intimate presentation with external clock in the mix especially with higher resolutions files.

Again, this is going back to the argument of separates vs one box…USB implementations, OCXO’s clocks on a PCB board in a confined space can only do so much. And for most part, they do a pretty darn good job. Having experienced what I’ve with external clock, I can’t imagine going back to listening to a Streamer and a DAC without an external Clock in the mix. I am now looking forward to further pushing the limits with either W20SE or N30SA.

Whatever you decide, just enjoy the ride!

@lalitk +1

The day before yesterday I connected an Atlas Mavros (copper) AES between my N20 and DAC. Just interested to see if I'd been missing something regarding AES.

Well started listening yesterday evening and it was sorely lacking compared to the USB. Granted the USB is solid silver, but they are both similarly priced.

With AES music was less separated, sounded congealed with less micro detail and above all zero PRAT.

I could easily tell in a blind listening test. The USB being light, airy with high tops and clear bass. Timbre and textures were excellent too. Vocals were real.

So I know my Musetec 005 is USB optomised but as @lalitk said even all your downstream components can influence the sound.

Anyway we'll find out for certain when you get your cables.

@latik In stating I was sold on Antipodes, I was within days of purchasing K50 when I was notified the custom build streamer I ended up purchasing came up for sale. Again, K50 was my choice based on the second ethernet port optimized for output to second streamer, as you know still my preference at this point. I had nothing against the Aurenders or Innuos, simply fact Antipodes had the nice AES AND network outputs.

@lordmelton , interesting results of your AES testing, thanks. Not suggesting this is the correct way to think of it, but Audioquest’s AES Diamond cable costs 2.5X their Diamond USB cable (both silver). Just raising the question of whether an equally priced AES and USB cable should be expected to perform equally or not. Audioquest’s pricing suggests not, but I really don’t know.

@lalitk 

Later I switched to a Network Attached DAC with external clock and power supply. The N20 connected to my DAC via LAN (no USB or AES cabling) and re-clocked by external 10MHz clock was a different beast all together. The effect of external clock on N20 was pretty startling to say the least. The channel separation, lower distortion and a greater phase clarity became the hallmark of music signal. The new level of realism, more analogous, intimate presentation with external clock in the mix especially with higher resolutions files.

Forgive me if I’m missing something but if your dac is “network attached” then the N20 will have virtually nothing to do with the performance of the dac/clock.

 

@lordmelton 

Your aes vs usb test is very likely a null result…if you were to get your hands on a really good aes cable and a similar quality usb cable you might hear an accurate outcome. Very few (unless your dac has an inferior aes input and a supercharged usb input) would arrive at your conclusion. The N20/Aurender aes implementation is quite often the preferred output. The clock in the N20 is quite good…