What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

@solypsa  : Of course you can't maybe because you have not the experience levels or only because you are seller of a different cartridges. Who cares?, not me.

 

R.

Funny Raul.

I am glad you don’t care; we neither know enough about each other for such.

Btw for clarity: I said "wouldn't" not ( as you assert) 'couldn't'.

 

@dogberry  , I never listen to anything else I have to say, worthless drivel. 

@rauliruegas, @atmasphere, @mikelavigne  I think we can all agree that balanced signal cables are essential for long runs. The benefits in signal to noise ratio and other parameters can not be overlooked. I am beginning to learn that the same is true when dealing with small signal levels. I have recorded Sheffield Lab 17 balanced, unbalanced, with and without digital RIAA correction. I have yet to involve other listeners and I will after I figure out the best way to transfer that much data. Gammaman has the Classic Records 45 rpm crate set of all the Led Zeppelin albums. I’m up there now to Zoso and loving every minute.

@mijostyn

i use the proprietary darTZeel 50ohm BNC ’zeel’ interface for my long runs (one 8 meter, the other 11 meter) in my system. properly executed, even better than balanced. a one meter 50 ohm cable sounds the same as a .5 kilometer of 50 ohm cable.....when properly executed. impedance matching rules.

but fully agree that RCA is not up to the task of long runs. XLR is far superior for that. and the pro audio world rightly chooses XLR as a superior interface compared to RCA.

OTOH with short phono cables it’s all execution. whatever sounds best. possibly all things being equal balanced might be superior technically......but......of course.....all things are pretty much never equal. you have to listen to pick the winner. the LFD execution is crazy stuff. if LFD used XLR i suppose it might be even better.....but most of the best phono preamps are not true balanced designs, which is another issue.

btw; i have that Classic Records 45rpm LZ box set. i’m sure you are having some fun with the dubbing. you need to hear it with the DaVa sometime.......freaking awesome. superior to my LZ 15ips 1/4" master dubs.

if you want to learn about the theory behind the ’zeel’ 50 ohm cable interface, here is a paper published in the September 2001 issue of Stereophile by Herve Delatraz (manufacturer/designer of darTZeel), describing ’echo’s in conventional cable interfaces, prior to the introduction of the brand darTZeel. you will need some some math, physics or engineering chops to digest much of it.

http://www.townshendaudio.com/PDF/Impedance_matching%20deletraz%20paper.pdf