Washington Post article on MoFi vs. Fremer vs. Esposito


Here's a link to a Washington Post article on the recent dustup with MoFi. The comments section (including posts by Michael Fremer) are interesting.

Disclaimer: This is a "public service announcement, a point Im adding since some forum members complained the last article I referenced here was "paywall protected", I'll note that, for those who are non-subscribers, free access to limited numbers of articles is available by registering (trade-off: The Post will deluge you with subscription offers)

kacomess

@vonhelmholtz 

 

Washington Post isn’t my preferred source of reading either, and I had to use my wife’s pw to read the article.  However they seem to have gotten this right, and I suspect that MF probably approves of most of the content of the paper.  Fremer has a lot to lose financially if the taste for vinyl were ever to recede

@mahler123

I don’t think people are going to stop buying vinyl. What transpired at MoFi is sad and hopefully we can expect complete transparency moving forward with their process and origin of the recordings. And this incident sets a precedent for others to be transparent. We still have folks like Chad Kassem that deeply cares about origin and restoration of our recorded music. I always appreciated his efforts and believed their recordings, digital or analog are more faithful to the source.

I appreciate the link to the Washington Post article which I found to be quite informative and to-the-point after listening to Michael Fremer rant on for 45 minutes about how Mike Exposito wasn’t a professional interviewer, as if having professionals involved would somehow mitigated the problem. Hell, it was the professionals that created the problem in the first place by keeping MoFi’s secret for them (or at least for not calling out loudly their deceit). 

Just curious again!

Even though I'm about to do this A/B comparison for myself, as soon as I get my butt in gear and run my new MoFi one-step through my ultrasonic cleaning system, I'm wondering if anyone else out there has compared the sound quality of one of these one-step pressings to a regular MoFi re-pressing of the same album(s). Don't be afraid to burst my bubble! Tell it like it is! Depending upon my own experience in this regard, this will have a major bearing on whether or not I replace or, rather, back up some of my very favorite albums with one-steps or just a regular re-pressing. For example, next on my agenda will likely be the Allman Brothers live at the Fillmore East.