My gear is average but very well embedded and in a room under controls...
Timbre experience was my relatively large bandwith response feed back from the room/speakers to help me fine tune the Helmholtz mechanical equalizer...
But any average system like mine even in a very well mastered room has some limit...
It is the only reason why i would upgrade, if i could afford it, my 500 bucks system to a 15,000 bucks one...( yes i calculate the price even if i could never afford it) But happily i have a "minimal" experience of this microdynamics ONLY because my system is well controlled...I can live with my actual system without killing myself...
But a "minimal" experience is not an optimal experience... For sure...
I console myself with this minimum and anyway most people dont live this experience even with system way more costly than mine....microdynamics is harder to get than timbre experience which is his acoustical basis....
The perception of microdynamics is less the perception of separate details by some costly piece of gear able to act like a microscope, than an ability by the system/room to link the part and the whole in a rythmical way....It is why it remind me of a rythmical playing "resonance" ... Details are not separate from the body of sound like a fractal effect but experienced together distinctively but never separate more like hues of color..
Thanks frogman to this important post about microdynamics...
Timbre experience was my relatively large bandwith response feed back from the room/speakers to help me fine tune the Helmholtz mechanical equalizer...
But any average system like mine even in a very well mastered room has some limit...
Some gear does let you hear this and some doesn’t do it as well. IMO, this can all be attributed to how well gear portrays micro-dynamics in music.This microdynamic expressing gesture of playing between 2 instruments locked one with the other by their "rythmical resonance" is after timbre experience the most important criteria about an audio system for me...
It is the only reason why i would upgrade, if i could afford it, my 500 bucks system to a 15,000 bucks one...( yes i calculate the price even if i could never afford it) But happily i have a "minimal" experience of this microdynamics ONLY because my system is well controlled...I can live with my actual system without killing myself...
But a "minimal" experience is not an optimal experience... For sure...
I console myself with this minimum and anyway most people dont live this experience even with system way more costly than mine....microdynamics is harder to get than timbre experience which is his acoustical basis....
The perception of microdynamics is less the perception of separate details by some costly piece of gear able to act like a microscope, than an ability by the system/room to link the part and the whole in a rythmical way....It is why it remind me of a rythmical playing "resonance" ... Details are not separate from the body of sound like a fractal effect but experienced together distinctively but never separate more like hues of color..
Thanks frogman to this important post about microdynamics...