I’d agree with Zapp.
The entire world is now facing a creative death by algorithm.
Only numbers count, and mavericks are no longer welcome.
Freedom is undesirable and free speech intolerable.
The consumers are divided, discombobulated and programmed to willingly get injected with processed garbage. This is the age of the earbud.
The music industry did not help things by the way it huriedly sought to discard one of digital audio’s few advantages over analogue.
Just whilst driving today I was listening to The Jam’s 1997 compilation Direction Reaction Creation. This 5 disc box is highly regarded by some over on SHF but after a couple of hours I began to feel a little sick listening to the sound.
I don’t know exactly what terrible thing they had done to the sound. It seemed ok on a casual listen but then I noticed that on the harder tracks such as Modern World, Down in the Tube Station at Midnight, Start, Going Underground etc there was a horrible sensation of flattened dynamics.
It was as if the edges had been toned down in favour of a little more smoothness.
Smoothness (via compression?) that the originals never had!
So now I’m going to have to find some earlier CD pressings that sound halfway decent. That don't sound as if the music is being sat on by a large record company executive.
Anyway we shall never give up, we’re still human beings, not numbers.
The entire world is now facing a creative death by algorithm.
Only numbers count, and mavericks are no longer welcome.
Freedom is undesirable and free speech intolerable.
The consumers are divided, discombobulated and programmed to willingly get injected with processed garbage. This is the age of the earbud.
The music industry did not help things by the way it huriedly sought to discard one of digital audio’s few advantages over analogue.
Just whilst driving today I was listening to The Jam’s 1997 compilation Direction Reaction Creation. This 5 disc box is highly regarded by some over on SHF but after a couple of hours I began to feel a little sick listening to the sound.
I don’t know exactly what terrible thing they had done to the sound. It seemed ok on a casual listen but then I noticed that on the harder tracks such as Modern World, Down in the Tube Station at Midnight, Start, Going Underground etc there was a horrible sensation of flattened dynamics.
It was as if the edges had been toned down in favour of a little more smoothness.
Smoothness (via compression?) that the originals never had!
So now I’m going to have to find some earlier CD pressings that sound halfway decent. That don't sound as if the music is being sat on by a large record company executive.
Anyway we shall never give up, we’re still human beings, not numbers.