What is it in MM that can give me goose-bumps? 🤔


Neither the best resolution CD or MC will give me goose-bumps.
Changing to e.g. my AT 440ML will do, will emotionaly move me, has emotional *impact* with every note played. 
CD and even MC seems to resonate with my intellect, my MMs with my emotions. 
It seems somehow contradictory, but so it is. 
Anyone else has these experiences?
Michélle 🇿🇦 
128x128justmetoo
@justmetoo
I’ve played with the exact aspects you speak of and it is tied directly to the chakster illustrated points.

and I’ve fixed them.

At which point a good MC done this way starts to sound more like a high quality MM, with the majority of all the remaining MC faults in situ, obviously. Then I went to work on those....(and that remains an unfinished project out of dozens of similar ones)

Point is, that the MC faults are what people are living off of re falsified detail that they cannot mentally parse out.

to parse out the point or fact that all sequenced conversions of prior signal, in the mechanical to electrical conversion sense...are going to have dynamic and living faults and specifically losses.

losses or alterations in correctness that will do exactly as chakster implies. To put it country simple, the MC is noise shaping, and the MM does less of this, but still does it.

The trick is to remove as much of the components that mask this, as is possible. In either the MC or the MM.

In the MC world, one way to lessen the one poorly realized issue, is to use Alnico magnets. Their hysteresis is minimal compared to most.

This will be heard as a clarity to some and a loss of detail to others.

Depends, literally, on how the person listens.

Sadly, the norm of hearing and learning to hear in the audio world, can generally encompass the wrong direction, due to how much noise is inherent in the given systems as a sum total chain. Thus punching specific distortions (realized or unrealized) above this complex noise floor can be and generally is -- mistaken as detail.

the Teo audio cables and the cartridges and the unpublished circuit refinements, unpublished teo loudspeakers, etc are all designed around fixing these problems.

What we end up with is a startlingly noise free and warmly detailed system with insane transients and huge gobs of harmonic delineation, just like live signals have.

The Teo Audio MM carts are designed in such an environment, one where the window (for the designers) is exceedingly clear so these problems can be tackled and be resolved. And thus removed correctly.

What we end up with is world class MM with the least amount of self noise that you can find in a MM cart and probably most MC carts, for a huge dynamic range and richness of signal retrieval unfettered by self noise and additive/cumulative distortions. Where groove distortions become uncannily resolvable.

The window of the motor proper is brutally clean, Where the mechanicals left at fault in the moving components are the last part of the puzzle. When the stylus is upgraded from the basic bonded versions with thick-walled heavy cantilevers (03x0.7 elliptical) ..to the nude and light versions with a better suspension (Microline or shibata), the differences, the gains.. become shocking and unexpectedly potent.

As.. the key thing is, most people realize nude mounted styli, on superior cantilevers, they show their advantage in a notable way..well... with the Teo MM carts, there are no other conflations that obscure their effectiveness. The perceived differences, the gains, become notably greater.

Getting people to understand that is going to be a frightfully long process, it seems. Unless people take us up on our 30 day free trial for our basic phono carts. and then upgrade the stylus at their own leisure and self selected costing and pricing.

A scenario where they are in the drivers seat, not the cartridge producer (MC re-tipping, special styluses that are limited in availability and source points, etc). Even there, we’re giving them what they want.

The trick is getting enough people to understand this simple seeming MM in a crowded world of competing pricing, truly does stand head and shoulders above the rest. and I do mean the rest. Hence the 30 day free trial. For a cartridge. That is the gauntlet which has been thrown down.

Come on people, figure it out.....The only known cartridge with a 30 day trial (on the basic versions). A trial period that has to exist for a REASON. It’s not a game.

It’s a gauntlet thrown down, a stake in the ground, a proclamation nailed to the wall.

A combination that everyone begs for, which is the highest quality available at the lowest price possible with the highest level of the buyer being in the drivers seat.

You all wanted this... so please realize that someone did their best to bring it into existence. As, if enough people don’t give it this essentially free shot, then what might be the best MM’s that people might ever hear, will die on the vine... and never get the chance to grow into a real force to be reckoned with.
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@justmetoo AT ML 170 and AT ML 180 OCC have been known to make people go insane upon hearing. Not me, I was already there. My modest collection of vintage NOS MM carts from Pioneer, Argent, Sony, AT, Victor, Stanton, FR  and Grace transport me to the rings of Saturn each time I drop the needle. MM or MC, doesn't matter regarding best sound. Both will give you time travel if you purchase correctly. 
@knollbrent 

👍 👌✔️

Michélle 🇿🇦 
IMHO - I only have a Pickering Xsv4000 - but it has a certain body and grunt that my mc’s don’t have. It is very satisfying and creates a body that is very enjoyable. U may simply prefer that type of sound as ur MC cartridges are pretty damn good. My MC’s do have a certain finesse and sparkle which are also enticing.