@mrdecibel --
Did not mean to ruin and end the thread
Hardly, for the most part I see you doing the very opposite in acknowledging the aspect of subjectivity in audiophilia - through your range of experience, not least. That is, we shouldn’t avoid, less politically correct it may be, calling things by their right names; my understanding of what’s subjective implies the priority of what we choose and what constitutes our (p)reference, but that doesn’t make traits like unrestricted dynamics, ease, transient ability and presence any less important, objectively, in the pursuit of what emulates a live, acoustic (or amplified) performance. The question to or what’s perceived by some may be what’s sacrificed in other sonic areas getting there, but to my ears good horns generally have less character than direct radiators; music simply happens more naturally and uninhibited (my next "adventure" is acquiring a pair of horn-hybrid pro cinema speakers, recently used in an actual theater in Germany, for fully active (i.e.: sans passive cross-over) duties - oh well, they’re still +100dB’s sensitive).