Thinking of buying a pair of Splendor D7.2...

If I had $10K to spend, I'd snap up the used pair of Spendor SP 1/2E's for sale on US Audiomart for only $1,290.  I'd pair that with a used Leben or Line Magnetic integrated and used Luxman DA-06 DAC, fed by your CDP (as a transport) and a Bluesound Vault 2i for streaming.

I have MF M6si and absolutely love it!
I was considering Spendor 7.2 but auditioned them and was disappointed with underwhelming bass performance compared to my KEFs. So I am back to my KEFs 104/2 and I am loving them again. However, from that auditioning trip I remember Klipsch Cornwall IV as the speaker that really impressed me.
I am mostly streaming too, with RME ADI-2 DAC -- highly recommended. Balanced XLR from DAC to amp.

@fsonicsmith Just curious how you would describe the sound of the D7’s vs the O/93’s. I have the D7’s and agree with everything you said about them, including how to maximum the listening experience. I’ve been curious about the Devores too

Just to be precise, I have the newer D7.2’s. I bought them as new demo’s from an AD, one of the most respected in this Country, the gentleman from San Antonio (they were on the floor for two months). I bought my DeVore O/93’s new too, from an AD in Cleveland who then had them shipped directly from DeVore in Brooklyn, not that any of this detail matters much.
I was hoping someone would ask me this question. I am very happy with my decision. If you were to look at my past posts, I am in the camp that believes that loudspeakers may have the most influence on overall sound character, but that source and electronics and everything leading up to the loudspeakers are more critical for good sound than choice of loudspeaker. My basement system is an example-with the right source and components, you would not believe the SQ I am getting from a pair of Large Advents that I had modded by VanL Speakerworks in Chicago almost ten years ago.
So to your question. You can see my system if you go to my profile. My amp is an ARC 150SE and preamp is a Ref 6. The DeVores have "immediacy". They have more there there. They are vibrant and capture tone and texture. They are fun, dynamic, and outgoing. But despite all of these qualities, they are also very refined. If not for that refinement, the adjectives I just used could be applied just as validly to any number of large baffled efficient loudspeakers. So the DeVore O/93’s are both "in your face" and refined which is what gives them such a rare set of good qualities. I have heard the O/96’s. The O/96’s are more propulsive and powerful but give up a very small amount of the refinement in the O/93’s. That of course is just my humble.
The one thing I do crave at times is the halographic sound I described in my post above. Perhaps there is a theoretical room that would allow the O/93’s to do that too, but I am skeptical and know for sure that my room is not one of them. They put out a big wall of sound but there is almost no depth of stage. On program material that has it (my two go-to examples are Joe Henry’s "Tiny Voices" and the first cut, "This Afternoon" and the old chestnut, Dead Can Dance’s "Into the Labrynth" and it’s first track, "Yulunga") you will not get that hair-raising, startling, "unexpected sound out of nowhere" effect. The Spendor D7.2’s will do that exceedingly well.
One more little quibble I have with the DeVore O/93’s: there is something very slightly awry in the lower-midrange. I believe it was Ken Micallef who first pointed it out. Someone who owns a pair at S’Phile did, and called it a "woody" sound that he attributed to the large ply baffle and paper SEAS cones, iirc. I notice it too but would not call it "woody". I would call it "dry" and "course". It is over a very tiny range of frequency and does call attention to itself on every recording. Male vocals and certain strings mostly. As "prof" on this Board-someone I highly respect if for no other reason than his unusual talent at writing about sound-has pointed out before, once you notice a fault with a loudspeaker-an actual fault rather than a shortcoming or omission-it begins to eat away at you over time.
The beauty of the Spendor’s is that they are demure and sneak up on you over time. When I started law school in ’81, there was a young female in our class who of out fifty or so young women did not attract much attention at first. By the time the first semester ended, half the guys in my class were madly in love with her. Her looks sneaked up on you. She had this demure subtle beauty that simply intensified over time. So when someone up-thread said the D7’s did not have enough bass (for him), I am not surprised. They are not perfect. But if you place them properly in your room and have decent gear upstream, they will sneak up on you and you are likely-at least 50% likely-to fall madly in love with them.

@fsonicsmith   What a great review and comparison of these two speakers! Thanks so much for putting the time into your write up. I find the Spendors to be very fast speakers with plenty of bass under the correct amplification (I've tried a couple amps).  Your ARC 150SE certainly has enough oomph to drive the bottom end.  I use a Pass XA30.8 and get plenty of bass.  I do love the holographic 3-D imaging and depth/width of soundstage that the D7's produce.  I'm not sure I'd want to compromise those qualities with Devores even if they are a bit more dynamic and in-your-face.  My Forte III's in a second system are so much more 2-dimensional in presentation and laid back than the fast D7's but are fun powered by a medium-powered tube integrated.  

This is very helpful and actually makes me less inclined to explore the Devores anytime soon although I realize they must sound wonderful as well.  It's all about tailoring your sound to the presentation that moves your soul the most. Thanks again.

Can someone tell me the trick to do the @(name) thing? I can't figure it out. I am dumb. 
three_easy_payments, you are quite welcome. 
The statement I am about to make is purely subjective and it may change over time. That said, if forced to choose between the two, I would keep the DeVores and give up the Spendors. It would not be a terribly tough choice either. Luckily, I don't think I will ever have to make that decision and I intend to keep both. Keep in mind that though I have much different amplification, I have the same two turntables that Art Dudley has and I share his values and listening preferences. 
You may notice that I expressed my view of the DeVores' virtues in greater detail than I did either in my first or second post in this thread about the Spendors. Imho, that combination of characteristics is what makes the O/93 such a damned fine loudspeaker.The Spendors imho tend to sound hi-fi-ish and need to be tamed to sound more natural. A digression. The first time I heard someone say "too hifi" I gave him a dirty look. I will never forget it-I had just purchased an Audioprism Mantissa from Progressive Audio in Columbus Ohio and they were not an Audioprism dealer and so they special-ordered it for me. They wanted to listen to it in one of their better systems and I wanted to hear what they thought of it. When I heard that description, I thought it was silly and meaningless. I now have an opinion as to what "too hifi" means. The best analogy is when you see one of the newest OLED tvs in a big box store and everything looks surrealistic and  hyper-detailed. A component that sounds too hifi is the aural equivalent. 
I stated above that I was happy with my decision. I meant that by investing in my sources and electronics rather than spending Magico or Wilson-type money on loudspeakers, I can afford to have both sets and swap them out every six months (my plan) in order to enjoy the host set of strengths each offer. Perhaps I should have said "Raidho-money" since my listening room is too small for Magicos or Wilsons anyway. My humble view is that like all other components, no one loudspeaker does everything that I want the way I want it done. Since loudspeakers do influence the sound character (but not quality mind you) more than any other single component, I think I made a good decision for me with those last two words being critical. 
The subtle pluck of finger on strings through the DeVores is magical. And oddly enough, John DeVore will tell you that he is most proud of how they handle industrial/techno/synth and though that is not my thing most times, my limited collection of such stuff including LCD Soundsystem (yes, feel free to quibble that LCD Soundsystem is just simple electronica) does sound spectacular through the DeVores.