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Best Tonearm and Cartridge for 4K or under for restored Garrard 301

I have a good set up for digital audio and would like to venture into analog audio. My digital set up is
Cary DMS600 -> Cary SLP05 -> Cary CAD211FE -> KEF Blade. I love the sound!

My first and only TT is a Thorens TD126 with TP16 tonearm and TMC60 MC -> PPA990 and phono stage is Cary PH302.

I bough an old Garrard 301. Planning to get it restored by Jim Campbell. Have a slate plinth. Now I am looking for a tonearm and cartridge that will justify my set up. I am thinking 4K. I could go lower or higher depending on the feedback, cost/value. I am looking for a good bargain. If I don't like it, I can easily sell it without much loss. I listen to classical, jazz, rock, indian music. 

I have never setup a tonearm before. But I looked extensively on the internet and Michael Fremer's how to set up videos. I understand all the different angles, VTA, SRA, Azimuth, Zenith. 

Looks like Michael likes Kuzma 4PT, I liked his review of the tonearm.
I am also looking at linear trackers like Transfi Terminator.
Woody, Triplaner Mk VII, SME 3012R, SME 312, Ortofon RS 309D, Dynavector DV 505/ 507, Reed 3P, Stogi reference, FR 64S, FR 64 FX, Sumiko 800.

kanchi647
fsonicsmith's avatar
fsonicsmith
931 posts
 
Please tell Greg Mitch from Ohio referred you. 
kanchi647 OP
70 posts
 
@fsonicsmith I sure will. May I ask why you did not use the Brass platter and bearing and spindle from STS? Greg said that the one he makes sits on top of the original platter. Its like having two platters. 
glennewdick's avatar
glennewdick
1,500 posts
 
only thing I'm going to add after just finishing my Garrard 301 is spend more on the arm now and skimp a bit on the cart for now. also think about an arm with VTA on the fly its a god sent for set up. 

also a consideration is the plater Hight of the plater above your specific plinth as the plater is quite high if  the table is not countersunk. I put a 12" Jelco 750  arm on mine and had to make am arm board about 1/2"-3/4" taller then the plinth, my table sits on top of the plinth. I would not get a Jelco if it's not the new design, the older ones as good as they are have set up issues that the new ones don't. (grr VTA setting, but there are aftermarket VTF on the fly for the older ones, highly recommend for those with older jelco arms)


VTA on the fly !!!!    
solypsa's avatar
solypsa
462 posts
 
3012s1 are hard to find but do have a higher effective mass vs the 3012s2 or 3012r. Meanwhile the 3012r has a cult following.

The Groovemaster titanium is no slouch and highly recomended for a brand new arm under 2k but *if* you can find an excellent 3012s1 or fr66s or Ikeda and the like awesome. I agree get the arm you want even if this means a bit of a skimp on cart.
sdrsdrsdr
196 posts
 
@sdrsdrsdr Thanks for the tips about Indian music. Which TT does he use? Pls explain why the Lyra is not good? I am trying to learn and understand. Demo is a problem as I live in rural area. I live in Wheelersburg, OH. I am happy to travel to demo stuff if anyone is willing to show me.

My friend that likes the Indian music also has a 301. I talked to him earlier today and he’s selling his triplanar and airtight combo. Also selling his fr64s. He prefers the SME 312 and Koetsu Rosewood for his indian music. He likes a very smooth forgiving sound for his music. I bring my records when I come by and we listen to the other arm though, which I prefer. And so does he listening to my records. You should really audition first. It sounds like your budget is limited and many of these recommendations from others are beyond it. That’s why I mentioned the Reed 2a. Go for the 3P if you can though. A warm forgiving MC you could consider, wood body Benz, Koetsu Black, ortofon spu royal n, dynavector xx2. Or vintage MM cartridge. As far as all these expensive 301 modifications, fine if the budget is there but not necessary to get great sound. I recommend to give Steve Dobbins a call. Or Chris at woodsong audio. 
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