Best Tonearm and Cartridge for 4K or under for restored Garrard 301


I have a good set up for digital audio and would like to venture into analog audio. My digital set up is
Cary DMS600 -> Cary SLP05 -> Cary CAD211FE -> KEF Blade. I love the sound!

My first and only TT is a Thorens TD126 with TP16 tonearm and TMC60 MC -> PPA990 and phono stage is Cary PH302.

I bough an old Garrard 301. Planning to get it restored by Jim Campbell. Have a slate plinth. Now I am looking for a tonearm and cartridge that will justify my set up. I am thinking 4K. I could go lower or higher depending on the feedback, cost/value. I am looking for a good bargain. If I don't like it, I can easily sell it without much loss. I listen to classical, jazz, rock, indian music. 

I have never setup a tonearm before. But I looked extensively on the internet and Michael Fremer's how to set up videos. I understand all the different angles, VTA, SRA, Azimuth, Zenith. 

Looks like Michael likes Kuzma 4PT, I liked his review of the tonearm.
I am also looking at linear trackers like Transfi Terminator.
Woody, Triplaner Mk VII, SME 3012R, SME 312, Ortofon RS 309D, Dynavector DV 505/ 507, Reed 3P, Stogi reference, FR 64S, FR 64 FX, Sumiko 800.

kanchi647
Be aware, Fremer like it fast and technical. He's very up front about it so you should know but just making sure you do. In spite of that he also seems to describe things very professionally accurately- something I know from personal experience as the guy actually called me one time and we had a good half an hour talk about tables and arms.

I would skip the linear as being way more headache than they're worth.

Other than sound quality, which you will figure out for yourself, the two things I find matter most are ergonomics and a direct signal path. I would never again buy an arm that requires an interconnect. No way. One continuous wire from cartridge clips to RCAs is the way to go. Next to that I would pay attention to looks and feel and ease of use. One fussy comment and I am gone. Too many fine sounding well engineered arms to be messing around with anything else.

One factor on that to keep in mind. When you hear people talk about the magic or matching or whatever... think of computers. How many after they spent untold hours and finally figured out all the BS you have to go through to make a PC do what you want, how many after all that have the strength of character to admit, I shoulda got a Mac? All that stuff I went through, its not even one click on the Mac. I hook it up, it knows I hooked it up, it just happens. Nobody, ever, said that. Its just way too hard to admit they wasted all that time on a colossal mistake. Same with arms and tables. Nuff said.
Nice arms in your list. What are the carts in your shortlist?
Is it important for you to have removable headshell to swap carts?
Imo this is about getting the best arm and best cart for the respective money and at the same time picking arm and cart that are a good match together. And at the same time getting enough output from said to cart to make best use of your preamp. A triangle if you will...
The Reed is an excellent choice. To save money, Reed 2a isn’t far behind according to people that I respect their opinions. I have an Ikeda it407 on my grease 301. Another good choice. Maybe getting out of price range though. FR 64s also cool with the right cartridge and if you want to stay vintage. I do feel that even though some on your list are very good arms, in my opinion they just don’t suite the vibe of a 301. But that’s just me. But on my Kuzma table, that’s a different story.