Maybe being discerning isn't that good for us?


A topic I touch on now and then, I think about what the average person hears, what I hear, and what it means to be discerning. What good is it for us, our community, and the industry?

I’ll touch on a couple of clear examples. I was at a mass DAC shoot out and spoke with one of the few ladies there. To paraphrase her, she said this:

Only with DACs made in the the last few years can I listen to digital music without getting a headache.

I never had that problem, but we both experienced a significant improvement in sound quality at about the same time. Lets take her statement as 100% true for this argument.

On the other hand, I am completely insensitive to absolute phase issues which some claim to be. I’m also VERY sensitive to room acoustics, which many fellow audiophiles can completely ignore.

Lets assume the following:

  • The lady really did get headaches due to some issue with older DACs
  • There really are people very sensitive to absolute phase.

I’ve also found the concept of machine learning, and neural networks in particular truly fascinating. In areas of medical imaging, in specific areas such as breast cancer detection, neural networks can be more accurate than trained pathologists. In the case of detecting early cancer, discernment has an obvious advantage: More accuracy equals fewer unnecessary procedures, and longer lives, with less cost. Outstanding!!

Now what if, like the trained neural networks, I could teach myself to be sensitive to absolute phase? This is really an analog for a lot of other things like room acoustics, cables, capacitors, frequency response, etc, but lets stick to this.

Am I better off? Did I not in fact just go down a rabbit hole which will cause me more grief and suffering? Was I not better before I could tell positive vs. negative recording polarity?

How do you, fellow a’gonner stop yourself, or choose which rabbit holes to go through? Ever wonder if you went down one too many and have to step back?
erik_squires
She noted that studies show very hightened listening capability among those who grow up in highly stressful households, because you learn to listen veeerrry carefully for nuance in tone before someone explodes.

I do this to, for the same reasons, in my case, the advice was that I was too sensitive to get the message. That my sensitivity to tone prevented me from hearing the words too. I find that this varies for me depending on how stressed I am, and have to be extra careful when stressed or tired that I'm not misunderstanding.

A good analog, in the positive and negative sense, of us hearing audio equipment. Listening to the foibles may make it hard for us to hear the emotion in the notes.
I too grew up in a very dysfunctional household and can see how that would make one more discerning for that coming blow. That, and it makes one more empathetic to others, situations, and in our case, audiophildom. 

Finely tuned senses lead to hobbies like ours and cameras, mechanics, art and anything that tends to minutiae. From there, the descent into the rabbit hole is a given. 

Also, it just begs isolation so as to enjoy, uninterrupted. This is not to say that all here are here for those reasons, but I am.

As to the novice lady friend who appreciates the newer DACs which parallels the preferences of the experienced listener, I'd say she has the advantage of still hearing things as they should be.

She never had to go through long sessions of listening, examining and questioning her beliefs, perceptions, institutional audio memory, all along second guessing themselves until they could pin down what was right.

The lady friend just happened to come along when it all matured while the avid listener had to go through learning curves and the pain of it all.

All the best,
Nonoise


Erik, the Turtles first lp was recorded with all voices to the left and all the instruments in the right channel.  It could be just the opposite as I haven't seen that lp in over 50 years.  This was great for aspiring musicians.  When they played at the local college, the sound was quite normal and spread across the stage.  XLO Reference Recordings does a vocal out of phase then next track in phase.  You can't miss the difference, the sound disappears between the speakers and spreads farther out left and right.  A very exaggerated soundstage.  
Erik, the Turtles first lp was recorded with all voices to the left and all the instruments in the right channel.


I believe you.  My point was, it wasn't recorded like this, it was cut like this. :) They probably originally recorded it intending to go to mono.  Stereo hit and they didn't have the mixers to do anything else.
I’m not sure I see much of an upside. You don’t usually miss what you’ve never had. Every new level of experience is expensive to me.

The one who hears the cat has to get up and open the door.