Maybe being discerning isn't that good for us?


A topic I touch on now and then, I think about what the average person hears, what I hear, and what it means to be discerning. What good is it for us, our community, and the industry?

I’ll touch on a couple of clear examples. I was at a mass DAC shoot out and spoke with one of the few ladies there. To paraphrase her, she said this:

Only with DACs made in the the last few years can I listen to digital music without getting a headache.

I never had that problem, but we both experienced a significant improvement in sound quality at about the same time. Lets take her statement as 100% true for this argument.

On the other hand, I am completely insensitive to absolute phase issues which some claim to be. I’m also VERY sensitive to room acoustics, which many fellow audiophiles can completely ignore.

Lets assume the following:

  • The lady really did get headaches due to some issue with older DACs
  • There really are people very sensitive to absolute phase.

I’ve also found the concept of machine learning, and neural networks in particular truly fascinating. In areas of medical imaging, in specific areas such as breast cancer detection, neural networks can be more accurate than trained pathologists. In the case of detecting early cancer, discernment has an obvious advantage: More accuracy equals fewer unnecessary procedures, and longer lives, with less cost. Outstanding!!

Now what if, like the trained neural networks, I could teach myself to be sensitive to absolute phase? This is really an analog for a lot of other things like room acoustics, cables, capacitors, frequency response, etc, but lets stick to this.

Am I better off? Did I not in fact just go down a rabbit hole which will cause me more grief and suffering? Was I not better before I could tell positive vs. negative recording polarity?

How do you, fellow a’gonner stop yourself, or choose which rabbit holes to go through? Ever wonder if you went down one too many and have to step back?
erik_squires
erik_squires"A topic I touch on now and then, I think about what the average person hears, what I hear, and what it means to be discerning. What good is it for us, our community, and the industry?...How do you, fellow a'gonner stop yourself, or chose which rabbit holes to go through? Ever wonder if you went down one too many and have to step back?"

Those are very deep, provocative, probing thoughts that skirt the very edge of knowledge, understanding, and science and prompt a complete, thorough, unrestrained examination by all audiophiles regardless of they're background, objectives, and preferences yes there is no question you have gone down at least one "rabbit hole" too many and have probably found your self stuck in one now of which you lack awareness or understanding.
I was listening to Joni Mitchell, Live, Miles of Aisles, double LP, with band L.A. Express

Great early Joni, great songwriting, darn good recording, BUT, the engineer messed with the mix, the weirdness of imaging choices i.e. She is dead center, playing a dulcimer, her voice coming center, her dulcimer from hard right,, other ’movements’ of the kind that were so distracting I found myself not enjoying. ....

I told Donna, sometimes being aware of and appreciating imaging is terrific, in this case, detrimental, I moved to a spot on the sofa, corner of the room, and enjoyed it thoroughly.

I had the same experience with an Oscar Peterson Trio mix, sit in the corner, those guys sure deserved to be hailed as one of the best jazz trios ever. I have a lot of Oscar, most is augmented by excellent recording and enginnering choices.

being aware of when knowing too much is reducing enjoyment is important as you say.

I know some recordings were originally meant to be multi-track mono.

That is, they recorded to multiple tracks, but meant to release the final product in mono. Then stereo came and labels started doing "cheap" stereo recordings by going back to existing recordings and using one channel for a voice, another for an instrument.

I'm not sure how prevalent this was, but I think there's at least one Beatles album like this.