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Ceramic insulator cone under phono stage shocker!

I have used small ceramic insulator cones underneath my phono stage for quite some time.
Previous phono was a Gold note ph10 and it did not make ANY audible difference I could detect which way up the cones were so I had left them cone upwards.

When I changed my phono to a Manley Chinook I just left the cones same way.
This afternoon I decided to flip them over so cone down just to see.

I honestly could not and cannot believe the difference!
I may have lost a smidge of low bass but everywhere else is improved in spades.
Much more detail, resolution, air, imaging, dynamics.
Just completely shocking how much better a small change has made.

But I am perplexed why such a huge change on the Chinook where I noted nothing on the ph10?

Any theories here?
128x128uberwaltz
uberwaltz's avatar
uberwaltz OP
13,381 posts
 
Elizabeth
Thank you so much for the woodworking lessons! Seems I know not much about wood at all.
The links to the two sites are extremely useful.
Cocobolo is very well regarded by aftermarket turntable plinth manufacturers I know and now I see why quite so pricey.
However compared to some of the money I have wasted in the past a couple dozen pen blanks is not going to break the bank.
uberwaltz's avatar
uberwaltz OP
13,381 posts
 
Sort of like Tuneland
But without MG...
And a bit more cred.....
šŸ˜‡šŸ˜‡
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geoffkait's avatar
geoffkait
23,365 posts
 
Wood you believe Iā€™m using something quite similar for the base of my new tiny little bowl acoustic resonators. I use crystal for the catalyst. I have a fondness for Gabon ebony, rosewood, walnut and maple. There is a fine line between resonance control and tuning.

Geoff Kait
machina dynamica
vibration isolation & resonance control
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