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Air Tight PC-1 Coda and more options to upgrade my analog setup

There aren’t many reviews out there for the new Air Tight PC-1 Coda. I’m looking to upgrade my analog setup and it fits my budget and the overall reviews for the PC-1 are fantastic. Before anyone mentions it, yes I will be listening before I buy. I plan on listening to similar priced carts from Lyra, Kiseki, Koetsu, and more.

At the same time debating a phono preamp upgrade. Thinking about the Luxman EQ-500.

Current setup is Rega RP8 (waiting for the new P10 or P12), Ortofon Quintet Black cartridge, to Mytek Manhattan II w/ Phono stage, McIntosh C47, McIntosh MC452, B&W 802D3, with audioquest speaker cabling and ICs, and Nordost Frey 2 PCs. Room is quite well treated and rack is Symposium Osiris. Listening on vinyl is mainly 1955-1975, jazz, rock, and orchestral (Mahler, Strauss-not Beethoven or chamber). (Wider variety with Qobuz digital). Vinyl is all very high quality original or repressings.

Happy to hear any feedback on the setup. What am I looking for? A little more sparkle. Realism. Just more. Maybe a little more bass as well, as I’ve got the C47 set to push bass +3dB. (Tried a sub and it didn’t help in my space and prefer the overall sound of the floor standers by themselves). The system sounds amazing, I just want even more of this amazing. Thanks!
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mayoradamwest OP
429 posts
 
Btw, I do appreciate all the discussion here. One thing I would note, is that while we all have preferences on table, and preconceptions, I don't want to let it slide that the Rega RP10 (and surely it's successor) is a Stereophile A component, and reviews for it are extremely positive. Just like I assume many of you may also have preconception about the phono stage in the Mytek, without having heard it.
mijostyn's avatar
mijostyn
8,151 posts
 
You can make a light tonearm work with any cartridge just by adding weight until you get the right resonance frequency. Having said that I think the Lyra is more appropriate for a Rega turntable as long as you have a descent phono stage. So now you are spending money on a cartridge, a turntable and a phono stage. The best way to approach this is to find a dealer that carries all three pieces and work out a package  
price. Sit back and save until you can afford all three.
jperry
2,430 posts
 
"You can make a light tonearm work with any cartridge just by adding weight until you get the right resonance frequency."

Making it "work" and making it sound good are not the same thing.

 "I don’t want to let it slide that the Rega RP10 (and surely it’s successor) is a Stereophile A component, and reviews for it are extremely positive."

That does not mean it will sound great, or will work well with any of the cartridges you have in mind. It will sound fine and function well with a Rega cartridge.
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mayoradamwest OP
429 posts
 
I mean, not to be too argumentative, and I am going to try other TTs and options, but being a Stereophile Class A component means they think it’s going to sound great, and they have better for this than I do. 
dover
2,173 posts
 
Here's what i would do -
The Rega P10 is actually pretty good, but its forte is pace and rhythm.
If you are keen on the Rega I would buy either the top Rega MC cartridge, which ensures an optimum match for the arm/TT, or if you want a more nuanced/balanced cartridge for orchestral the Van den Hul  Frog works very well. I have also heard the Benz Micro's on the P10 - it is a warmer sound. The Lyra's are too clinical for the Rega.

The Luxman phono is very good.

Why not try the Luxman first, then you can assess the Ortofon with a better phono, you could then buy the P10 and based on the results with the Ortofon/Luxman select an appropriate cartridge.

The only thing you have to watch is that the early Rega MC cartridges had unusual loading requirements. You need to check the cartridge loading requirements are met by the Luxman or whatever phono you buy.



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