Turntables and Trusting Online Reviews

@noromance , hit it on the head, especially with the comment about reading between the lines of if they say this they mean that.

If you're gonna read reviews you have to read all the reviews. What I mean is you have to read enough to get a handle on the reviewers. Yes even the reviews of the $600k speakers you will never see let alone buy. Yes even the $16k Koetsu even though you only care about digital. Because this is how you learn where each reviewer is coming from, what they mean, how they see and relate to things.

Also at the same time you have to actually go and listen to a lot of stuff. So you can relate your experience to theirs. Then in only a few years time you might maybe have put together a pretty good picture of what's going on and finally be able to read a review and glean some really actionable guidance. Until then they are at best a filter to help you decide what to audition, at worst misleading infomercial ad copy.

Its worth all that trouble in the long run because an awful lot of the best components simply are not out there where you can just go and check them out. My first Basis turntable was bought on the basis (heh) of reviews. Heck, I even talked it over on the phone with uber reviewer Michael Fremer! My Melody integrated, Koetsu Black Goldline, Origin Live Conqueror arm and Herron VTPH 2A phono stage were all bought entirely off reviews. Some of these have been with me over a decade now, with no plans to replace any of them, ever.

But getting to where that was possible, besides the decades of reading all kinds of reviews, every single one of these also involved reading essentially all the reviews. And I mean all. Including every comment on every audio forum my search engine could find. 

You don't just, oh good review, one-click purchase. Recipe for disaster.

Is this common place? Are there reviewers who are more trustworthy than others?

Or it really does come down to audition with your own ears because not only can you not know what another prefers, they may or may not be honest in their own right?

Help me out here?

Yes
No

In this business it is a rule not to write negative, even when you get ear cancer. A favor here for a favor there, that's the way it works. 
The worst you can do is to educate yourself. When you learned something you will discover how many distributors, manufacturers, dealers are in this business who would fail in any serious business. Opinions rules this business. Not knowledge.

The only reviewer I ever trusted was Harry Pearson RIP. His reviews were always artfully written and cogent. Johnathan Valin is okay otherwise forget it. It gets more ridiculous by the minute. millercarbn is correct in that sometimes if you look at a series of reviews on a piece you can get a good idea on what you are getting. The Parasound JC1 was a good example. Mostly you are on your own. You just have to know what you like particularly when it comes to turntables. I like belt drive suspended turntables with either vacuum or mechanical hold down like SOTA, SME and Basis. I don't bother with anything else. I do not like unipivot arms. Too many degrees of freedom. In my view it is a cheap easy way of making an arm. Don't have to worry about expensive bearings, tolerances and preload. I know this for myself because I have owned 9 turntables and God knows how many arms and cartridges. Experience. Very expensive experience. My favorite stupid purchase was the Transcritors Vestigial Tonearm. Talking about warp wow.
It would be nice if you could just land on the right product. The reviews are illegible. You go to a store and they are going to try and sell you what they have then bad mouth everyone else equipment. So in essence we are all on our own. If you know what you like stick with it.

But how to figure out what you like? The variables seem almost endless—or at least very difficult to account for. I’ve been putting in a concerted effort to crack this nut. I think I’m getting closer, but it feels like I’m going to have to roll the dice.

The absense of dealers is certainly a factor, but I’ve made two recent treks to very reputable dealers far from my hometown to listen to decks. I’ve been told that the table, arm, and cartridge are a system, greater than the sum of the parts. Yet, when I do comparatively listening all the variables change. Yesterday, I listened to two rooms at the dealer. Each room had two turntables hooked up to the same electronics and speakers. That’s a start, but far from allowing me to isolate the contributions of the table from the arm from the cartridge.

At AXPONA this year, I tried to listen to as many analog setups as I could. Trying to broadly educate my ear on the range of sound. I really liked a room featuring the AMG Viella. It had two arms and the person running the room played me the same track to compare the two arms and cartridges. This at least allowed me to hear a huge difference between the two.

I’GE heard great things about Avid still never heard one. Listened to the Luxman 171a at the show in Chicago but really didn’t care for the speakers.

I can anticipate the comments saying that you have to demo at home in your room and your equipment. But that ain’t happening with turntables, at least where I live. I guess it’s like expensive wine you just have to shell out and pop the cork. You don’t know until you dive in. I’ve wanted to find a value “giant killer.” It would suit me fine not to overspend. Vintage is enticing but I don’t know what to look for and I’m not a tinkerer. The value decks I’ve heard such as the MoFi have underwhelmed.