Vandersteen Quatro Wood CT Setup Questions


I just purchased a used set of Vandersteen Quatro Wood CT speakers that will be delivered in a week or so. I am going to be doing the setup myself (help of my brother also). The Vandy Quatro / CT manual has very good detail and I am reading, preparing and starting to really understand the process. 

Vandersteen recommends using natural instrument Jazz recordings because they say these offer the most realistic and accurate sonic reproductions. They even recommend using Ray Brown Soular Energy. Can anyone recommend any other similar reference recordings?

Does anyone have any general recommendations and tips for Vandy speaker setup? Any suggestions are appreciated, thank you.




pilrem
Point of clarification: the 7 do not come with a laser jig, that is part of the dealer kit for setting up the 7

A Leica Disto ( or similar ) should help you document exactly where the speakers and your chair should be.... my blue tape on the floor never seems to survive long....

@pilrem 

"Step 7 - Set speaker tilt. "listen to Jennifer’s voice" - and that placement needed to be recreated. I was told that Jennifer was standing when this song was recorded. As tilt was adjusted, Jennifer’s voice raised from low between the speakers to about 5 ft above the floor, pinpoint, right there so it felt as if you could grab it."

In the studio the microphone has no idea whether a performer is seated, standing, or lying on the floor. The engineer also has no way of encoding vertical information into the recording. They have pan, which will locate an instrument from left to right, and will use track levels and reverb often times to give the impression that instruments are located closer or farther away. But to the best of my knowledge, there is no way to encode vertical information into a recording.

I'm very happy to hear that you got your system dialed in though. I wish I could afford Quattros at the moment. Enjoy!


In the studio the microphone has no idea whether a performer is seated, standing, or lying on the floor. The engineer also has no way of encoding vertical information into the recording. They have pan, which will locate an instrument from left to right, and will use track levels and reverb often times to give the impression that instruments are located closer or farther away. But to the best of my knowledge, there is no way to encode vertical information into a recording. 


Interesting. I must admit that I am not competent to answer such a question but my ears can hear 3d imaging when it is present. My question is How does this explain single mike recordings? I am specifically thinking of Chesky Records - The Ultimate Demonstration Disc - Track 23 - Festival to Deum.

I am not trying to be a smart ass in any way. When I think of clean single mike jazz or similar recordings the soundstage can be amazing.

I can also tell you that when this adjustment was made, it locked everything in.