Phono cable advice.


What are some good phono cable options for around $150ish and under? So far I’m looking at BJ LC-1 and Zu Audio Mission cables. This would be for between my Pro-Ject Debut Carbon DC Esprit and most likely (still looking) a MoFi StudioPhono preamp. I have an extra pair of Kimber Silver Streak cables but they don’t look insulated well enough. I’ll be running DH Labs Air Matrix from my preamp to KEF LS50 Wireless speakers. I’d like something I can grow out a little with as I incrementally upgrade things. Stylus (Blue 2M?) is probably next.

Thanks for any input.
asahitoro
To suggest that small signal cables need no shield is an insult to electrical engineering and all of the hard work that goes into proper design and not just in cables but in any electrical components. Especially in today’s polluted world.
I ran Kimber cables for some years and never had a hum problem of any sort. I stopped when I got the Triplanar, as it has its own cable integrated with the arm. In either case, I ran balanced.

With the Kimber, I could easily handle the phono cable and not induce any hum, despite its ground connection being a wire instead of a proper shield.

However I would not expect this to work in all environments as Lewm points out above. Just like sex, drugs and rock and roll, it worked for me but I don't recommend it for everyone :)
If you are running single ended, an unshielded cable will be more susceptible to environmentally induced noise, but common sense applies to this one- cable manufacturers couldn't get away with selling this sort of stuff if it didn't work. If the cartridge is low impedance, its going to be a lot harder for induced noise to get going. Further, if the input to the preamp is a low resistance, the same will be true. The problem areas will be if a power transformer, AC cord is nearby, or if a radio station is close enough to cause problems. In those cases, a shielded cable of low capacitance would be a good idea.
@tyray thanks I was looking at the Puffin and tried to locate a Budgie too. I ended up with a Lounge Audio LCR MKIII w/silver upgrade for a great deal. Picked up a minty used Orofon Bronze too for a steal. I’m still keeping my eyes open for deals on other used stuff to satisfy my wannabe audiophile upgradeitis...lol.
Yeah, the Lounge Audio LCR MK(???) was my first choice and I think that is where I first read the term ’giant killer’ for phono preamps. It is an outstanding preamp for the money and class A too. And as I did more research and found out about the Budgie, I bought one.

I later ’rolled’ in 2 matched NOS Telefunken E88CC/6922’s vacuum tubes and was amazed at the transparency, depth, wide soundstage and dynamic range with an added 3 Dimensional sound quality I had never heard before from my receiver’s phono jacks.

I took a chance and bought a used Shure V15VxMR MM cartridge for $150 bucks as they normally go for $500 and installed a JICO SAS VN5xMR stylus and have been using this set up for awhile now.

Just over a month ago I bought 2 pair of 8' Clear Day Cable double shotgun speaker wire for $300 and the sound improvement was immediate. I guess my choices makes me a ’budget audiophile’ too! ☺
Invictus.... wrong.....Anti’s can make shielded or unshielded cables...I had one of each to compare. In MY system shielded sounded a little closed in compared to the unshielded. Actually, Anti’s give better sound than their price reflects. They are both dead silent....no hum even with my ear against the speaker.
TyRay.......be happy with ClearDay double shotgun.   I compared them to the very top of Wireworld, Kimber, and Audioquest, which were a multi-thousand dollar expense.   I actually preferred ClearDay double shotgun.