Preamps with two main-outs


Question for folks with two separate stereo amps driven by a single preamp. My preamp has two main outputs feeding two separate amps - one stereo and one pair of monoblocks, driving two pairs of speakers in two different rooms. Is it normal to need to turn on all the amplifiers to play any music? In other words, I can't just turn on my stereo amp to listen to music in one room. Its all or nothing. Fortunately the mono amps (MC2200) have volume control and I can turn them all the way down but can't do that for the stereo amp for the speakers in the other room. I was wondering if this is normal for all preamps with multiple pre-outs or its dependent on a particular preamp model. If it matters, the preamp is a NAD C165BEE. Thanks.

P.S. The second main-out has a little knob for gain control but its on the back of the preamp next to the ports and not practical to use for this purpose.

128x128kalali
Can the generally published spec for amplifiers’ input impedance, e.g., 47K ohms for the Vincent, be simply measured at the input ports, presumably with the amplifier turned on, or there’s a lot more involved in taking this measurement? Thanks again for all the education.
No, in general I don’t think that measurement could or should be performed with a simple multimeter, Kalali, if that is what you are asking. For several reasons. First, the input impedance at the zero Hz (DC) frequency that is put out by the meter might be much different than the input impedance within the audio band. The input impedance might even be essentially infinite at 0 Hz if a coupling transformer or coupling capacitor is present, while being far lower at audio frequencies. Also, depending on the specific design of the amp and the meter the amp might be over-driven. And if a resistance scale is chosen that would result in a suitably low test voltage being applied, I’d imagine that in many cases a meaningful reading would not be obtainable.

A good way to perform such a measurement, which I suspect is how John Atkinson does it for Stereophile, would be to make use of an audio frequency signal generator whose output impedance and output voltage can be varied in a controlled manner. When a suitable voltage is applied and the output impedance of the signal generator is adjusted such that the unit under test loads down the output of the generator to half the amplitude that is present when its output impedance is set close to zero, that setting of the signal generator’s output impedance would be equal to the input impedance of the device under test, at the frequency that is being generated.

Best regards,
-- Al

Post removed 
it appears that what is most likely a relay is connected directly between the signal pin and the ground sleeve of the RCA input connector on each channel. Presumably when the warmup period concludes a control voltage is applied to the relay which causes its contacts to open up, allowing the input signal to proceed to the input stage. And presumably when the amp is turned off that control voltage goes away and the contacts close, resulting in a short across the input.
A modification may solve the problem:

INPUT         NO
@-------------o
 |                   \              R2
 |                    O--------WWW------
 |                     C
 |---------------o
 |                  NC
 |
V
GND

With the amplifiers off, I measure "continuity" at the input ports on the Vincent but not on the MC2200, using my very basic millimeter. Didn't feel comfortable sticking my meter probes inside the ports with the amplifiers turned on. I think we can surmise this is NOT normal behavior and is dependent on the amplifiers' input stage design. Thanks everyone for your help in explaining this behavior.


Previous post should read "multimeter" not millimeter. Autocorrect in action...