I'm not at all surprised by ct0517's finding of Natalie Merchant's work. I've never worked with Natalie, but I've known her in passing and also know several of the people she works with rather well. They all are VERY aware of their sound and the technical considerations that go into it. A group that Natalie has worked with, The Horseflies, recorded and produced a CD several years ago that still blows me away - "Until the Ocean". http://www.thehorseflies.com/store.htm Unique and phenomenal music, but also a remarkable and brilliant use of the best capabilities of digital studio production. Needless to say, it is not needlessly compressed. But for much the same reason, it's not available on LP, as I doubt that its sound would translate well to that medium.
Is New Vinyl Exempt from Loudness Wars?
I'm seeing new vinyl sold in many unexpected places these days.
For those who have bought a lot of new vinyl, I'm wondering if these tend to be mastered differently from similar newer CD remasters that often show effects of the "Loudness Wars"?
Is it a mixed bag perhaps? Much like CDs?
I wonder because if I knew there was a different mastering done for new vinyl I might consider buying some if I knew.
But new vinyl is expensive and I would not want to get essentially the same end result in regards to sound quality as I would get with CD for much less.
Just wondering.
For those who have bought a lot of new vinyl, I'm wondering if these tend to be mastered differently from similar newer CD remasters that often show effects of the "Loudness Wars"?
Is it a mixed bag perhaps? Much like CDs?
I wonder because if I knew there was a different mastering done for new vinyl I might consider buying some if I knew.
But new vinyl is expensive and I would not want to get essentially the same end result in regards to sound quality as I would get with CD for much less.
Just wondering.
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- 83 posts total
- 83 posts total