Looking for really fine cables at really low price


I have been listening to excellent sounding Exemplar exception cables for the last several weeks. While my HFCables are better they are also much more expensive than the below $500 cables.

They offer an excellent sound stage, dynamics, and top to bottom quality sound. Not only are they inexpensive but they are very portable and easy to install.

I am not a dealer or investor in this company.
tbg
I think what they were referring to was the act of soldering the exposed bare wire ends, which is known as 'tinning'. It's done to prevent oxidation of the copper. It follows that soldering is just adding another layer of disparate metal(s) between the wire itself and the terminations or connecting post, which is undesirable. Some say all that's needed is a good and tight cold crimping.

What I'm referring to with the Supra Ply cables when mentioning tinning is that the whole length of each 192 copper wires is covered with actual tin. Supposedly it minimizes the skin effect to negligible, prevents oxidation, and restricts interaction between each of the strands.

All I know is that it sounds really good.

On another note, I checked out Lars' ebay listings to see if the 3.4W cables were listed only to note that the 3.4 standard cables were in very short supply with a note stating that terminations could be omitted and just use bare ends to better effect, going the old school route. I trust he wasn't overloaded with demand since he's still recovering. It's good to see he's working and I hope it helps.

All the best,
Nonoise
Nonoise,
Jeff Day (Positive Feedback/6 Moons) in a recent blog of his in Wordpress did a wonderful article on NOS Western Electric 16ga speaker wire which is stranded tinned copper. It was brought to his attention by the Japanese builder (Yazaki-San), of the new Spec Amp (read Positive Feedback review) as well as a number of fabulous 300B amps in the Japanese markets. Yazaki-San described this speaker with as having the attributes of the Western Electric 274B tube from the 40s, not the later models of 274B. Yazaki-San basically stated it was an "artistic" sounding wire with a transparent presentation that presents a natural, organic sound, full of saturated color and texture, faithful timbre, warm, and dynamic, big soundstage in depth and width. I was fortunate to buy some of this same wire on e-bay for $1.15 a foot. Honest, no hyperbole, it is that good. Unfortunately, it is now even more impossible to purchase as Day's readers bought most of what was being sold in the States. It is fast disappearing in Japan and elsewhere as well. I have used a lot of Kimber cable in my life. I like it; but this Western Electric tinned copper, my system, slays the Kimber I have used.

Another tip Yasaki-san gave to Jeff Day was the inexpensive Belden 8402 microphone as interconnect cable terminated with inexpensive Switchcraft 3502A, or better still if you desire a little more warmth, 3502AAU from Switchcraft. Also Canare F-10s if you need a slimmer profile. Day and a panel of friends compared the Belden favorably to the $$$ Sablon interconnects. Different presentation, but on the same level. I Also purchased these...sound similar to the Western Electric 16ga. This Belden cable terminated as above cost only about $60.00. Terminate DIY, cut the cost in half. I am a happy camper. Read the Jeff Day Word Press Blog, really good stuff. Best, All.
Mikirob,
Wonderful post. When I first wrote about this Supra wire I only had about 10 hours on it and honestly thought it couldn't get any better. I was told by Lars that I'd be pleasantly surprised at around 80-100 hours and experienced widening of the soundstage accompanied with attendant detail and layering around the 40-50 hour mark. Everything is more than up a notch but not a whiff of etch or glassiness. Relaxed, or as you've described, organic, better texture and tone.
I though I'd lost a bit of impact and reach with the lower notes but it all comes through in, again, a more natural and organic way. Everything is so nicely balanced.

I don't know what it is with this 3.4W version as the 2.5, although good, is in a lessor league. Similar formulae but different execution seems to be the ticket. I'd love to have been able to compare the Western Electric 16ga wire just to see how the Supras compare. Something tells me they'd be kissing cousins.

It's nice to know it's not my imagination playing tricks with me as you've witnessed similar results with similar wire. I'll check out the Jeff Day Word Press Blog as well. Thank you for your thoughts and encouragement as it's nice to get such a detailed and informative response.

All the best,
Nonoise
Nonoise,
Thanks for the kind words. And thank you for the Supra information. I
almost went for them several years ago, but went in another direction.
Since I have several systems I will likely give them a try in very near future.
Did you get a chance to read the Jeff Day stuff? Thoughts? Best. Robert
Mikirob,
Yes, I read the blog on the cables and glanced at his other postings. Jeff is about as deep into this hobby as anyone can be and is all the better for it. We should all be so lucky. It seems the WE16ga has less strands and of a larger gauge (individual, not total) than the Supras which leads me to believe they might impart more body or weight but I wonder if it is at the cost of some detail. It's all academic until someone can compare the two.

When I checked into the ebay listings for NOS WE16ga speaker wire there were so many listings, and most of a different variety. A quick look at other sites about these cables showed the lucky ones who got them (lucky you!). It seems that the legit sellers they mention are hard to find, if not already gone. I must banish the thought of getting some or my audio nervosa will kick in. :-)

The Supras are good enough right now for the long haul. They keep improving and making all my old CDs sound so new as they portray how the music should sound, instead of an approximation.

All the best,
Nonoise