I can appreciate how Swampwalker feels. Getting a DOA high end audio piece, no matter who the manufacturer is will sour anyone. I personally experienced a somewhat similar situation with three Cambridge D500SE CD players I went through. Needless to say, I didn't tackle a fourth. In their defense, the C540/C640 iteration seems to be built by a different manufacturer and the build quality has ratcheted up several levels.
I will say that Swampwalker's feel on the Wave 8 is uncanny. One look inside the amp reveals possibly the worst design decision a company can EVER make on an audio component. Sadly, it is also the one thing I NEVER see any of those who sell modded units correct. Even more sad, simply fixing this one issue does more to improve the product than all of their typical mods (NOS tubes, binding posts, RCA inputs, coupling capacitors, etc.) combined. So, while I am more into ASL than many, I think the fact that I came into their game late has me not as bitter as most who suffered through owning the gear are.
The more I think about it, getting a Jolida 202 would really be a good move on the lower end of the budget. Stay away from modded units, and do not pay more than $500. Above that, the Jadis Orchestra Reference seems to make more sense to me, with its superior sonics and build/parts quality, and the flexibility of using the big tubes (6550, KT88, KT90) and the EL34, putting you in the envious position of having the amp produce more or less any tube sound you want along your audio journey. They should range in price from $1000 - $1700, and are a true bargain. Especially, when you compare them to the rest of what is produced in the audio world. Caveats are the difficulty in keeping the gold plating looking nice and a rather involved biasing procedure.
I will say that Swampwalker's feel on the Wave 8 is uncanny. One look inside the amp reveals possibly the worst design decision a company can EVER make on an audio component. Sadly, it is also the one thing I NEVER see any of those who sell modded units correct. Even more sad, simply fixing this one issue does more to improve the product than all of their typical mods (NOS tubes, binding posts, RCA inputs, coupling capacitors, etc.) combined. So, while I am more into ASL than many, I think the fact that I came into their game late has me not as bitter as most who suffered through owning the gear are.
The more I think about it, getting a Jolida 202 would really be a good move on the lower end of the budget. Stay away from modded units, and do not pay more than $500. Above that, the Jadis Orchestra Reference seems to make more sense to me, with its superior sonics and build/parts quality, and the flexibility of using the big tubes (6550, KT88, KT90) and the EL34, putting you in the envious position of having the amp produce more or less any tube sound you want along your audio journey. They should range in price from $1000 - $1700, and are a true bargain. Especially, when you compare them to the rest of what is produced in the audio world. Caveats are the difficulty in keeping the gold plating looking nice and a rather involved biasing procedure.