Placette RVC review in Stereophile


There is a brief review of the Placette Remote Volume Control in the June '04 issue of Stereophile that might be of interest to some folks here. The Passive and Active linestages are also mentioned. It's good see some more recognition for the company in print.
eagle
Drubin: I was aware of the review in TAS of the Active Linestage Preamp from the Placette website, but I do not subscribe to that magazine or know if Placette advertises there. I'll phone a friend who does subscribe.

Looking through every issue of Stereophile for more than a year, since April 2003, I see a total of zero ads placed by Placette Audio. I have subscribed to Stereophile for a number of years, but may have missed these full page ads you refer to. Another bonus of dealing with a small company like Placette is the chief technician, sales, customer service, and owner all have the same number and, last time I called, he answered the phone. I will give Guy Hammel a call and find out where he does advertise.
Placette Audio
I agree with Mikelavigne completely except don't really know what he (or anyone else for that matter) means by 'bass slam'. I have tried two active pre-amps, in comparison to my Placette, and found that only the Placette does not damage. The other two ($4,500.00 for one and $8,000.00 the other) causing veiling, restricted dynamics, and made me want to just keep turning the volume up. Music listening was ultimately very unsatisfying and I don't think I'll ever consider another active pre.

By the way, Guy will work directly with you to design your passive (he made mine with a mono-switch) and does what he promises. Another good thing, this world class unit only cost me $1,400.00. 'Nuff said.
Hmmm....well, maybe they only advertise in TAS (where they got a review, I note with guarded cynicism).
Tom, by 'bass slam' i mean an increased energy in the bass where the bass becomes more prominent relative to the overall balance of the whole frequency. some preamps 'boost' the bass a little, adding some weight and body.....but usually obscuring detail. if you love 'rock show' bass....it's perfect. but for reproducing acoustical bass; it is a detriment.

i like increased dynamic contrasts generally.....i perceive the Placette to uncover tiny dynamic changes that active pre's seem to gloss over to a varying degree.
Mike...Makes sense. I have noticed that every pre-amp I've tried masks detail and lacks the micro-dynamics needed for realistic music production. The Placette seems to give me exactly what the source, amp, and speakers are producing and I can't ask anything more. I have no need for other colorations or some sort of mystical "balancing act" between the pre-amp and amp. Buy an amp that works for you and get a Placette (or some other well designed and made) passive.

The last rock show I attended was in a concrete and steel venue and the bass slam was there and sounded awful. So did the rest of the spectrum. I have no idea what this band can do or whether they can play; this was no musical experience.

Thanks for the definition of "bass slam". I, probably like you, will stick with music.