the answer is no....even the vintage ss amps from tandberg,revox,mac,sumo,marantz,sonographe(cj)naim,quad,kenwood,and dozens of others sound as refined as anything being made today at any price. i recently came across an advent speaker brochure from the seventies that actually encouraged the consumer to spend as little as possible on an amplifier. kloss was a genius. a whole generation of us grew up on 'common sense' hi fi designed by guys who were as bright as any rocket scientist, yet loved music. the goal was music apreciation. well designed products favored no music catagory. a 'well designed' amp or speaker favored no catagory of music. hi end manufacturers and their consumers now have the same relationship as pushers and junkies. no amount of money is enough,and satisfaction is never guaranteed.
Your opinion on the evolution of amps since 70s?
What is your opinion on the evolution of high-end amplifiers since the 70s?
I use the word “high-end” here not in the snobbish sense, but as a way of separating amplifiers designed for great sound from those intended for mass consumption. I am interested especially in the sound- and design changes of these amplifiers but would not mind reading about other aspects as well, such as build quality, prices and values. I read lively discussions on this topic on another site. Below is my take on the subject. I look forward to reading yours.
I caught the Hi-fi bugs in high school in the late 60s. This hobby quickly turned into an obsession in the 70s while I was still in college. I was seriously into high-end audio equipment in the 80s and 90s until their prices escaladed well beyond what I was willing to spend. Now I am just coasting.
I feel that from the 70s to the 90s amplifiers steadily improved in design, construction, and sound, especially solid-state (ss) amps. Today’s high-end amplifiers are generally more powerful and more sophisticated than their predecessors with sounds that are noticeably more refined as well. Interestingly, the sounds of ss and tube amps, quite far apart in the 70s, came closer together every passing decade though they never quite merge. Today’s ss have the edge on power, bass and treble extension while improved tube amps remain king of the midrange.
It is really a shame that the mid-90s witnessed an unconscionable price escalation leading to the inevitable shrinking of high-end audio. The much higher prices made cost-no-object designs possible but they also caused the large community of audio hobbyists and enthusiasts of the 70s and 80s to dwindle down to a much smaller group today. The design progress suffers.
That’s my short take on the subject. I can’t wait to read what Audiogoners have to say.
I use the word “high-end” here not in the snobbish sense, but as a way of separating amplifiers designed for great sound from those intended for mass consumption. I am interested especially in the sound- and design changes of these amplifiers but would not mind reading about other aspects as well, such as build quality, prices and values. I read lively discussions on this topic on another site. Below is my take on the subject. I look forward to reading yours.
I caught the Hi-fi bugs in high school in the late 60s. This hobby quickly turned into an obsession in the 70s while I was still in college. I was seriously into high-end audio equipment in the 80s and 90s until their prices escaladed well beyond what I was willing to spend. Now I am just coasting.
I feel that from the 70s to the 90s amplifiers steadily improved in design, construction, and sound, especially solid-state (ss) amps. Today’s high-end amplifiers are generally more powerful and more sophisticated than their predecessors with sounds that are noticeably more refined as well. Interestingly, the sounds of ss and tube amps, quite far apart in the 70s, came closer together every passing decade though they never quite merge. Today’s ss have the edge on power, bass and treble extension while improved tube amps remain king of the midrange.
It is really a shame that the mid-90s witnessed an unconscionable price escalation leading to the inevitable shrinking of high-end audio. The much higher prices made cost-no-object designs possible but they also caused the large community of audio hobbyists and enthusiasts of the 70s and 80s to dwindle down to a much smaller group today. The design progress suffers.
That’s my short take on the subject. I can’t wait to read what Audiogoners have to say.