Why the obsession with the lowest octave


From what is written in these forums and elsewhere see the following for instance.

Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.

http://www.homerecordingconnection.com/news.php?action=view_story&id=154

It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
mechans

Showing 4 responses by hifihvn

My main speakers don't go low enough, but sometimes I do turn a sub on just to catch that natural distortion you refer to, that happens in a large auditorium. And its all part of the natural non-amplified music experience.
You do catch a lot of low bass in a large building/auditorium. It does help make a life like performance at home. There is information down there that are caught of the right recordings.
How much bass comes from the concert hall reinforcing bass from the instruments? When the instruments are measured, they are probably done individually in a room that may have no influence on the sound. No room reinforced bass may be the case. Anyway, something to think about. Resonance of the hall and surroundings. That may be some of the reason for bass being there, good or bad. We here it live, and can miss it at home. Here is a link to look at.[http://www.akutek.info/Posters/KG_Basses_on_Floor_Poster.pdf]
Pardon the grammar. That Akutek link has interesting info. Same link.[http://www.akutek.info/Posters/KG_Basses_on_Floor_Poster.pdf]