Why no interest in reel to reel if you're looking for the ultimate sound?

Wondering why more people aren't into reel to reel if they're looking for the ultimate analog experience? I know title selection is limited and tapes are really expensive, but there are more good tapes available now than ever before.
People refer to a recording as having "master tape quality",  well you can actually hear that master tape sound through your own system and the point of entry to reel to reel is so much more affordable than getting into vinyl.  Thoughts? 
21192e21 5d00 4ded bea1 72869e5cf35dscar972
your link to the Studer image doesn’t work
Thanks for sharing the link to International Phonograph Inc., I was referring to Jonathan’s company when I wrote $150.
How difficult is it to convert a phono preamp RIAA curve to IEC? I heard this could be done but I really haven’t dig deeper into it.

your link to the Studer image doesn’t work

oops, there you go .... Studer master recorder ... A friend of mine in Helsinki own it and use it in the studio.
There are many reel to reel machines on eBay, but I think one needs to be cautious as even the best ones, if 25 years or older would almost always need some serious service.  Electrolytic capacitors have a finite shelf/use life and trim pots tend to get oxidized to the point where any re-calibration of the playback/record electronics becomes frustrating if not impossible.  Having worked for ReVox in the early 1970's I am most familiar with their line of A77 decks and while they were arguably the best home type machines offered at that time and for some years to come, they always need reconditioning to be reliable and capable of performing up to their published specs.  If an example presents itself with heads that are evenly and not overly worn, are of the track configuration and speed range you are after and basically works (i.e. can transport tape, no broken knobs, panels, reel hold downs, failed meters), you can expect to spend about $200-$300 for a refurb kit that will replace all electrolytics, tantalum caps, trim pots, motor start capacitors, suppression caps and possibly the three transport relays and some new brake linings.  Overhaul takes about 2-3 days depending on your patience and ability.  I would be very wary of cheap kits as they often use substandard parts or ones that are even the incorrect values.  I have bought some of these A77's on line for relatively cheap prices and have overhauled a number of them with good success. 

I've done a lot of location recording over the years with A77's, A700, Tandberg 10X and Nagras.  My current flagship RTR is a Studer-ReVox PR99MkIII.  Location recording at my advancing state of decrepitude using heavy open reel machines is pretty much out of the question.  In the field, I currently use a small digital recorder and have been quite satisfied with the results.  No wow and flutter, no tape hiss, conservative record levels, no audible (to my ears) distortion and no mechanical noise which allows me to sit in the audience and actually watch the performance.  An added benefit is that I never run out of tape, something that at 15 ips happens more often than you think. 

That said, if you HAVE tapes and want to be able to play them, obtaining a machine and maybe having it overhauled might be worthwhile.  If you just want to have the joy of watching the reels spin, that might be reason enough to buy one as well.  If you have deep enough pockets to buy new dubs of masters at $300-$600 each, and are willing to live with the limited choice of program material, you will need a 15 ips 1/2 track machine and a good one can be expensive.  If you don't care about portability and have and extra $5000 plus shipping, you can buy a beautifully reconditioned MCI JH110 from Mara Machines in Nashville.  Be aware though, that studio machines do generate mechanical noise that might make having them in your listening room intolerable. 

Thanks. Leaves almost no question unanswered.

The only thing, out of sheer curiosity, is that you mention a number of things to be fixed with those kits. It does read as relatively complex "I assume you know what you are doing" operation and not something a novice should embark on? Is that right, or is it really simple?

Again, thanks for your post.
glupson, doing an overhaul requires some decent soldering skill, a basic understanding of electronics and above all, patience.  The mechanical disassembly of even a well designed machine like the A77 can be challenging.  Having a service manual is also a must as there are lots of little traps that can be avoided by doing some reading in advance.  Also needed are the proper tools and at minimum a good quality digital multi meter.  To actually calibrate everything once overhauled, you would need an audio oscillator, a VTVM and of course, an alignment tape for the speed and equalization standard your machine requires.