why dsd


Until a few days ago, i had never heard of dsd. Apparently it was developed thru sony/philips and used as the foundation for super audio. Why is everyone so hyped on this. I have had a sony 9100es for several years and have a handful of discs. Big deal. I am selling the damn thing and will toss in the discs if anyone is interested. I get the waive stuff bla bla bla. Yes- digital can sometimes sound bad, but have you ever listened to a poorly engineered record. Ugh. Less to do with the medium and more to do with the recording

My MAc mini into my C2 sounds good and upgraded spotify is great.

We are so caught up in hype. We split hairs over everything and talk about stuff that only an electrical engineer gets. We call 4k budget gear! Are you kidding me???

Music is something that touches your soul, and we don't listen in a perfect room with a lab coat on. If my foot taps then I'm happy.

I am trying to buy a dac with pre and HT pass, not because I am going to squeeze an additional drop of shimmer out of my system, but because I need something easier for my family to use.

Stop buying into hype! Records sound great but digital is more convenient and has opened the door to a world of music that should blow you away. If you are more concerned with being sold than just enjoying the music then you are missing the point.

Any thoughts on a dac/pre combo with bypass :-)
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Showing 3 responses by bifwynne

Kijanki ... admittedly I don't understand anything about Delta-Sigma DACs or Alpha-Pi-Omega D/As configureed in quad mono mode, or this or that. But I have a thread running about redbook CD not being a dead medium. I maintain that redbook CD can still provide a meaningful, engaging and enjoyable musical experience if the source material is well engineered and recorded.

My contention about redbook CD is validated, at least to me, when I listen to "Gold" quality CDs, e.g., from Mobile Fidelity. I also bought a pot pourrie box of used classical CDs from a vender here on A'gon. I'm listening to a surprise CD out of the box right now: Stravinsky's Rites of Spring. Excellent!!

There's also a couple of technical articles I've read which make a convincing case, at least to this non-techie, that the redbook CD format is quite capable of rendering an exellent musical experience. The author of one article credibly maintains that the so-called "problem" with the medium isn't its technical foundation. Rather, it's the crummy quality of engineering, mastering and recording. My personal experiences anecdotally support that view.

DSD ... sure. I'll bite, or at least take nibble, if the industry settles on a standard format and I am convinced there's as much attention paid to engineering and recording quality as there is to "quality electrons." :)

Cheers,
Lloyd ... if you look at Stereophile's 2013 List of Recommended Components, you'll see some reasonably priced and highly regarded redbook CD players listed. I think the cost of top grade CDPs has gotten to the point where the entry cost will not require you to sell your kids off to buy a great product.

I think Steve N's comment about the real problem *not* being the technology per se, but rather the recording and engineering quality, is spot on. I believe it is possible for redbook CD to provide a satisfying musical experience if the source material is of good quality.

And I do have a decent vinyl set up which sounds pretty ok, provided the LP is well recorded. But you know, sometimes I just want to listen to my music while reading a book or fiddling with my computer and not get up off my lazy old butt after 15 or 20 minutes to flip the friggin' record.
Kijanki, I'm on another computer. My wife confiscated my computer.

I mentioned all of that because I have the URL link of an article that makes a good case in support of the redbook CD format. Similarly notworthy is that the author also explains why the CD layer of many SACD discs had substandard sound performance. I'll pass along the link when I get my computer back.

BIF