Why does rock concert sound suck?


I have been to two rock concert in the past year : Brit Floyd in Bridgeport CT and Eric Clapton at Madison Square Garden, NYC (last Monday)

For Brit Floyd I was about 40 feet form the stage and treble end was an ear-splitting distorted sound - the soprano solo on Dark Side of the Moon sounded like a chain saw running at 5x speed.

For Eric Clapton I was sitting at floor level about 20 rows behind the mixing desk - i.e., the opposite end from the stage. In this case the high top end was not so distorted, but the voices were still very harsh - seemingly a massive response peak at ~1500hz. Imagine AM radio with the treble turned up 20db.

I knew a lot of the words form the songs ahead of time of course, and just about recognized them, but otherwise the lyrics were unintelligible. The only exceptions were when he sang a quieter song - e.g., “Tears in Heaven” . Clapton moved back from the mic rather than place his mouth right next to it. Then the sound was quite listenable .

Of course managing the acoustics in such a big venue is no doubt a challenge — but does it have to be this bad?

oliver_reid

Showing 2 responses by jonwolfpell

It's too bad that a good home hi fi set up can & often does sound better than many live rock concerts. Small venues (less than about 400) can still sound really good but the larger venues rarely do; very hard, upper midrange peaky, boomy loose bass & shrill highs. This is the worst example of what the solid state / horn combo can do if poorly done. 

IMO, here's the reason & when I was in pro sound reinforcement, this wasn't the case. The use almost universal use now of arrays from just maybe 6 speakers to upwards of 20 powered by high powered, well built, very reliable but sound crappy class D amps. The theory of the array is to try to create the same sound balance for every seat in an arena w/ minimal "sweet spots". The benefits of the pro class D amps are obvious but sacrifice a  lot. Almost Every instrument in a band is now run through this stupidly loud, hard as hell sound system & the beautiful magic of stacked Marshalls or Fender tube powered amps is lost.

I saw the Grateful Dead many times in the 70's, never w/ their short lived, giant "wall of sound" system ,but w/ a very good one that included about 30 Macintosh 2300 amps, & piles of Altec & JBL speakers. The sound was truly dynamic, meaning loud only when it was supposed to be & not continually, crisp, clean & beautiful. It was the same w/ many great shows I saw at Radio City Music Hall in NYC back then w/ many great bands. If you had a good seat, fantastic sound & if not it was ok. Today, its pretty bad in any seat but arenas are still filled so no one seems to care.  

I guess the sound today of rock concerts is on par w/ the music itself...... loud, bland, boring & bordering on unlistenable. 

 

 

 

I saw the fantastic Hamilton show at the beautiful Providence Performing Arts Center. Great show , great venue ( completely re-done to bring back its majesty) & I was about 20 rows back in the center of the Orchestra. Sound was fair at best, very hard & edgy  & quite annoying at times. Big speaker arrays, class D amps & plenty of DSP. I’m not at all a fan of this now typical set up & have not experienced it once where it sounded really good.