Why do you never near anything about Spectral


Back in the 80's it was considered the creme de la creme. I haven't heard a word about the company in years. Did they go underground or are they just servicing markets outside the U.S. If you know about the companys present day operations I would like to know.
taters

Showing 4 responses by shubertmaniac

Spectral does not need exposure by the review process. The company produces unique products for the audiophile who wants the highest fidelity from the input signal to the output signal without degradation. Once you experience its pleasures all tubes seem euphonic and all other solid state seem sterile. Spectral is neither euphonic nor sterile. There really is no mix and match: you truly need both their preamp and amp and if you can afford it, their digital playback/DAC. Their components also need MIT/Spectral cables and interconnects to sound their best.
Current setups: Spectral DMC30sl/DMA180.1/SDR3000/SDR2000
for the Avalons; Spectral DMC10/DMA50(2),bridged/SonyDVD/CD
for the Acoustats

The Spectral/MIT/Avalon setup is at their peak of performance for chamber music, the strings are the most realistic I have ever heard; as close to live as you can get. The solo cello is just magic!
The last show was late 1990s showing off the introduction of the DMA360, no sound. There is a pair of 360s for sale on this site. There are a couple of reviews on their website. R. Harley when he was at Stereophile reviewed a complete Avalon/Spectal/MIT. I am not sure whether that review is archived.
Hmmm..........tubes and turntables are like coming from a cold wintry day into a warm home with the smell of hot cinnamon rolls coming out of the oven! Warm and fuzzy and oozing with icing. Euphonic warmth, if that is what you want great, but not me. Sure the Spectral can be edgy and maybe a little "white", nothing is perfect. But in my system, what you all have is said does not happen, it surely is not thin and the sound images do not float. The images are rock steady. The resolution from bass to high treble is just incredible. And as I said before: the string quartet is in my listening room, right there in a semicircle. And as I said before I have yet to hear a cello as clean and strong as with my current system. Hey it could be the dedicated room with the current tube/bass traps and diffusors, it could be that the room does not have a flat roof but is canted. Listen I am not against tubes, I have had them (or my father who swore by tube amps) longer than before many of you were born, over 50 years, but tubes are not my cup of tea, though I will have the cinnamon rolls!
When I speak of tubes I speak of transformer coupled tube amps, OTLs are much different beast. I have heard OTLs only twice, the most memorable one somewhere on US 206 or 209 in Northern Jersey an audio store had the NYAL OTL-1s with an NYAL preamp driving a pair of Tangent speakers with VPI turntable playing Coltrane, now that was magic!