Why are modern arms so ugly?


OK.......you're going to say it's subjective and you really looove the look of modern tonearms?
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
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Showing 2 responses by mikelavigne

i love beautiful industrial design.

the Linn CD-12, Mark Levinson #33, and the Rockport Sirius III are 3 i've owned where they combined high performance and elegance.

i can appreciate the vintage arms and their simplicity. to me it reminds me of a 50's or 60's Ferrari or such when the designers did not know about correct aerodynamics, brakes, and suspensions. yes; they were beautiful, but cannot keep up to much more modest contemporary efforts. elegance counts for much, but not when the starter gun sounds. then it's what can it do?

i'll be very curious to watch people's reaction to the look of the new Durand 12" Telos at RMAF next month. it's elegance comes from the ruthless no-holds-bared perfection of purpose......stripped to the essentials.
there are more beautiful and more elegant, higher build quality tonearms, and less beautiful and less elegant, and lower build quality tonearms, but from my perspective they are all beautiful and elegant. i'm trying to think of a tonearm which does not cause me to smile at least a little in anticipation....i cannot think of any.

ugly tonearms? no.

not to my taste? sure.

if i had a collection of iconic vintage tonearms i might feel differently.