It seems, for reasons I cannot divine, that one either loves her or hates her.
My (two) favorites are "Companion" since it is recorded live and has lots of old-school ambience, and "Cafe Blue" in 45rpm vinyl where the renditions of "Too Rich for My Blood" and "Nardis" are outstanding and--for me--hair raising.
I agree that the studio recordings lack "presence" which detracts from otherwise strong performances. Also, the angst in some of her tracks (particularly Modern Cool) some regard as artificial and superficial but I accept as amusingly sardonic and ironic (whatever she were intended).
My (two) favorites are "Companion" since it is recorded live and has lots of old-school ambience, and "Cafe Blue" in 45rpm vinyl where the renditions of "Too Rich for My Blood" and "Nardis" are outstanding and--for me--hair raising.
I agree that the studio recordings lack "presence" which detracts from otherwise strong performances. Also, the angst in some of her tracks (particularly Modern Cool) some regard as artificial and superficial but I accept as amusingly sardonic and ironic (whatever she were intended).