Fujindemon, thanks for your comments. Regarding the Linbrook Monitors you do have a treat awaiting you. When I first got mine they...well...ahh...sucked! They had the old "voice in a barrel" midbass emphasis that made everybody sound like they had the flu. However, 200 hours or more of throwing my most dynamic and wide range music at them, at higher than normal volume levels, got those SEAS magnesium drivers singing like Kiri Tekanawa. The bass emphasis disappeared entirely and I was left with the finest sounding dynamic speakers I've yet owned. I found they can be placed within 8" of the front wall provided they are well clear of side walls by 3' or more. If side walls are close they need to be into the room a minimum of 20" to avoid overblown bass. I have their stands filled up with clay-based kitty litter, so each side weighs well over 100 pounds. Be sure to Blu-Tak the speakers to the stands.
I sometimes wonder if tube amplification would add to the sense of 3-D but yet without actually adding something that isn't on the recording (i. e. - tube amps have higher orders of harmonic distortion, which is not usually unpleasant and can be euphoric). Also, as wonderful as the Linbrook Monitors are I am haunted by comments from Maggie owners who, as a percentage, seem more often to rave about the palpability of the imaging they get. My only experience with planars is a pair of Quad '57s that I owned probably the longest.
Regards, Lee
I sometimes wonder if tube amplification would add to the sense of 3-D but yet without actually adding something that isn't on the recording (i. e. - tube amps have higher orders of harmonic distortion, which is not usually unpleasant and can be euphoric). Also, as wonderful as the Linbrook Monitors are I am haunted by comments from Maggie owners who, as a percentage, seem more often to rave about the palpability of the imaging they get. My only experience with planars is a pair of Quad '57s that I owned probably the longest.
Regards, Lee