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Procol Harum for the most part anyway save perhaps their earliest lp or so.
Caravan is another similar.
Camel, Kayak and Klaatu and The Cars also come to mind.
I suppose The Moody Blues qualify as well though the sound of many of teh classic 7 albums are somewhat atypical compared to what many might consider to be great sound.
Genesis for the most part also starting with Trespass though some of theirs ATTWT and later started to become less consistent.
Yes mostly , at least up until Relayer and including Drama.
Neil Young's catalog is consistently great. Same for Joni Mitchell, and Van Morrison. Eric Clapton's live lp "Just One Night" is amazing
Mike Oldfield's is also excellent, but Virgin label's pressings often were noisy.
Roxy Music, Brian Eno, and Bryan Ferry Solo albums - at least Avalon, Bette Voir, Boys and Girls.
If you like their music (I really do) - King Crimson
Steve Hackett's solo work is great
The Pentangle, John Renbourn solo, and Bert Jansch solo stuff is all great.
If you want to talk Jazz - it opens up a whole lot. Anything on ECM is great. All of Miles Davis is great.
I agree with many of the citations above, and with the Genesis/Peter Gabriel citation, but I find the Genesis pressings are often really noisy (true of most Charisma Label stuff). Peter Gabriel's first solo LP was my favorite, but I amp always disappointed in the engineering on the LP.
Shellac. Steve Albini is dedicated to good recorded sound quality, in the service of great music. He has been this way since the days of Big Black, but it has only been since his most recent project, and the big paydays attendant to working with big-name performers, that he has been able to afford the electronics and studio quality to make his dream a reality.
From Shellac's 45 rpm singles to its first disc, "At Action Park," the recording quality is absolutely spectacular. Albini manages to get the best recorded drum sound on record, bar none.
Discs from Shellac even come out on vinyl first, before any digital formats, and Albini was using 180-gram virgin vinyl long before it became the rage. It's worth looking them up.
Note also that when he gets a chance to work with performers at his Electrical Audio, the subsequent release also sounds extraordinary. He's worked his magic on Nirvana ("In Utero"), PJ Harvey ("Rid of Me") and my favorite Albini recording of all time (even worth getting on CD, since as far as I know, vinyl never existed), "Things Are About to Get Weird," by Pinebender. You will not hear better guitar and drum sound on a recording, period.
To boot, none of these are audiophile recordings, yet all sound spectacular.
And speaking of the Pinebender recording that I mentioned, their label, Lovitt Records, still has some double-LP sets of it in stock. Not sure how many they have, but it's worth a pickup if you have a spare $25 lying around.
I should say that Pinebender is big, heavy rock, sort of like Nirvana at 16 1/2, rather than 33 rpm. It's magnificent, if that's your thing.