What were the best and worst rooms at RMAF 2009?


Of course I have my picks, but what are yours?
128x128dlcockrum

Showing 4 responses by mapman

Jaybo,

OHM E's (vintage entry model OHM box speakers, $200/pair 30 years ago) might be an interesting dirt cheap choice with a SET tube amp perhaps, at low to moderate SPLs, in the right room if low end extension is not a concern. I've never heard that combo though.

I don't know if I ever considered Es competitive with the likes of large Advents however, at least with most SS amps I have heard both with. Marantz would be a good choice for them however. the next step up the old OHM line, the Ls, were very hard to distinguish from the large Advents however and I personally always preferred the Ls (Es were "thinner" sounding in general).

I never thought of OHM Es as speakers that could "blow the house down" in general, but they are certainly good performers within their limits and might still be had for next to nothing.

I'd agree that it is not that hard to get very good sound out of many smaller quality vintage speakers at least in smaller rooms. Larger rooms are certainly a bigger challenge. I'd like to enter enter my vintage Dual 1264 table with Goldring cartridge running on a vintage Yamaha receiver in a blind sound test against much pricier modern rigs in a typical room and see what happens. It is surprisingly sounding way better than ever and highly competitive these days. I bought it back in 1981.
Spl,

Were the speakers in the Blue Circle room their own Pennys?

If so the Walsh driver used would surely help account for a wide, deep soundstage more so than the amplification perhaps, but again one can only assess the system as a whole. Its hard to determine what the individual pieces alone might sound like otherwise.
The main difference between speakers back then and now is that well built speakers that are large and solid enough to deliver full or near full range sound clearly with muscle behind it in larger rooms in particular will cost a lot more new these days in general.
"Can’t believe the Accapela room has not been mentioned. .... And, you can own this system for about $300K!"

I think you answered your own question.

For $300,000, I would expect an out-of-body, dreamlike experience, every time. Reality just doesn't seem like enough to ask for at that price.

How come an article I read on High Triolon indicates only a $30,000 USD price tag? That might be reasonable though still mostly unaffordable if true. Were there $270,000 worth of supporting electronics required to produce the results? I thought horn speakers are supposed to be easy to drive and make sing?