I completed assembling the basic combination of support elements that Pierre Sprey of Mapleshade Records recommended just a few years ago. Most of the ideas are still current on the website.
My Cary SLA-70Sig amp has three of the latest generation of Ultimate Triple Point V.3 beneath the amp. On each output transformer is a Small Heavyhat Triplepoint. I use a Virtual Mode D'Bag on the power transformer (the Large Heavyhat Triplepoint is on a Sonographe SG-3 Turntable wood plinth surface). The sound is helped by these weights.
The Ultimate Triplepoints V.3 pierce directly into a Clear Lacquer Mapleshade two inch thick maple block 24" x 28".
Beneath the maple block corners are four IsoBlocks, each consisting of a stacked pair of triple-layered [ribbed rubber/cork/ribbed rubber] vibration absorbers.
To say this combination approach of Pierre Sprey favorably transformed the amp is an understatement.
My Cary SLA-70Sig amp has three of the latest generation of Ultimate Triple Point V.3 beneath the amp. On each output transformer is a Small Heavyhat Triplepoint. I use a Virtual Mode D'Bag on the power transformer (the Large Heavyhat Triplepoint is on a Sonographe SG-3 Turntable wood plinth surface). The sound is helped by these weights.
The Ultimate Triplepoints V.3 pierce directly into a Clear Lacquer Mapleshade two inch thick maple block 24" x 28".
Beneath the maple block corners are four IsoBlocks, each consisting of a stacked pair of triple-layered [ribbed rubber/cork/ribbed rubber] vibration absorbers.
To say this combination approach of Pierre Sprey favorably transformed the amp is an understatement.