What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

Showing 4 responses by thekong

Some members posting in this thread seem to believe as digital “measures” better than analogue, it must be better and every audiophile should find digital better. I think they are missing a couple of points. 

 

First, are we measuring the right things, and all of the right things, that affects our emotional response and enjoyment to music reproduced in a system? When CD was introduced, engineers already told us it was “Perfect Sound Forever”, with much lower distortion and wider dynamic range than LP etc. See what happened since than? New type of digital distortion called “jitter” was discovered, which was never measured, or at least not shown in products’ specifications, before. It was certainly new for audiophiles! Now we have DSD, DSD512 etc., and same old story we are still being told it measures better than analogue, so can we be sure no more new types of digital distortions will be discovered in the future? 

 

The second point is there is a personal side to our reactions to distortions, some of us are just more sensitive to a certain kind of distortion than others. Just to share a recent experience, I and my friend visited another audiophile, who had a high-end digital base system with all the room correction functions etc. While the sound was not my cup of tea, I didn’t hear any obvious distortion. However, after listening for a while, I felt the muscles at the back of my neck tensed up, and with passing time, I felt slight physical pain starting from the back of my ears all the way down the neck! What is interesting is that both the audiophile and my friend didn’t share the feeling!

 

I want to point out that I rarely have this reaction on audio systems, digital or analogue. The last time I had similar reaction, but a lot less severe, was with a first generation CD player.

 

The point I want to stress is that since my friend and the audiophile didn’t have the same reaction, I have to conclude that I am just more sensitive to the particular type of distortions in that system. To expand from this, I think it is certainly possible that, we who prefer analogue may just be more sensitive to the types of distortions in digital, even though the “measured” distortion maybe lower! 

 

Of course, the opposite can also be true, audiophiles who prefer digital may just be more sensitive to distortions in analogue!

I have a short audition recently with the DS Audio Grand Master pairing with the SAT arm and Airforce Zero turntable, and consider this one of the best analogue set up I have ever heard. Of course, I couldn’t tell which component had the greatest contribution to the great performance!

Hi Mike, I afraid that you are wrong, the spec. of the Mc Diamond is slightly different from the Anna Diamond! If we only go by the measurements, the Anna Diamond is actually the better of the two  😄

@mijostyn , can the MC Diamond really be considered as an improvement over the Anna Diamond when the measurements are worst? Just go look up their Channel Separation at 15kHz and Frequency Response figures !