I used to run my SL3's with the Krell KST 100--smooth but not enough power to meet the demands at moderate volumes. I swithched the KST to mono to run the cinema cc with very good smooth non-fatiguing sound.
Presently running the front SL3's with Mccormack DNA-2 DLX. I am very happy with the set up--very sweet and musical, clarity and bass effect is exceptional. I wish I could play them louder but the ML's tend to distort at aroung 62dB on my ARAGON soundstage-the volume at this level is quite loud. It is just like trying to see how stable a sports car @150-160 miles an hour.
Presently running the front SL3's with Mccormack DNA-2 DLX. I am very happy with the set up--very sweet and musical, clarity and bass effect is exceptional. I wish I could play them louder but the ML's tend to distort at aroung 62dB on my ARAGON soundstage-the volume at this level is quite loud. It is just like trying to see how stable a sports car @150-160 miles an hour.