Wave Kinetics NVS Turntable - Stereophile Review


For all owners, there is a good review in this month's stereophile - table reviewed with the Telos arm and with a Kuzma 4Point. Framer gives the nod to his Caliburn but a close call.
vicks7

Showing 4 responses by french_fries

I probably should not have been shocked by the price of the turntable Plus arm Plus cartridge (Plus a highly specialized stand for the turntable) -somewhere over $65K before you get to put on an album. I was also "not shocked" that the record player did not always "come up to speed" on the 1st attempt, i would be sending the motor and/or controller back the next day if that were to happen to me.
the review of the latest Walker is in the Abs.Sound too and it seems to also present some problems for its owners. at least they got it to sit level now thanks to a new pump modification.
I like records a lot, too, but making a big case out of how good the newest turntables are in extracting more and more information is STILL tempered by a number of very legitimate concerns. I don't know what the "magic number" is for a spending limit on analog playback- $10K? $20K? more? for me personally that would be NMT "10", but i am trying to understand the rationale is (beyond pride of owning a mechanical masterpiece) for putting so much EFFORT into that part of the hobby, with a $5 album as your software/weakest link.
Sorry for forgetting the phono stage in my 1st entry... that can run a bit more....
The best turntable i ever got to hear was the SME 30 playing Jobim records at an audio show. the sound was pure magic, no argument. i got to stare at a classic Goldmund Reference turntable a few times at a local dealer- and words fail me when i try to describe the effect that had on me.
i just don't want to be the one who has to find the perfect VTA or some other tiny adjustment that dials in the best sound. my best efforts went to assembling a Thorens and that went quite well. but that's kid stuff compared to Fremerology.
Sometimes i have read about the extensive set-up procedures for certain high-end tables (taking two men two days) and i want to "get out an 8-track" in retaliation.....
For $70,000+ i would certainly hope the turntable in question would sound good, especially to those who have spent the money to own one. forgive me if i think of all of the state-of-the-art tables at every price point under the sun (and moon) ALSO sound SO AMAZING!!!!!! ETC.!!!! that they TOO are worth the
money. But not being able to audition every great turntable in existence leaves me a bit confused. Fremer didn't break the VPI-Classic-3 BTW, and IT TOO sounded great, a real game-changer/whatever- not that i care what he thinks anyway. what i do care about is separating music appreciation from hyperbole.
and that seems impossible to do without making people defensive or bringing in the "if you can afford it that's ok, you deserve it". how much do these beautiful contraptions really REALLY cost to manufacture? I know NASA has to spend whatever it takes to bring a prototype to a full working model (or two).
but this is not a matter of getting something to land on the moon or explore Mars FGS. i don't know, the whole business just seems a bit off the wall IMO.
i just want to believe that ok, for $10K-$15K, a big chunk of cash, someone could build a turntable/arm with EVERY bit of advanced technology available and DARE anyone to get more MUSIC out of the groove. May the 1st contestant step forward please...
Admission- One of my personal "dream" turntables (so far) would be a VPI TNT-6 (no longer made) with a heavy platter upgrade and a Benz High-End cartridge, with the SDS motor controller, 12in. JMW arm. my current phono stage is a Lukaschek which is "supposed" to be quite good. i love the fact that it has no settings to adjust at all...
And i would like to compare THAT to other tables costing "whatever". No, of course i don't expect it to sound AS good as a Walker or (fill in the blank) but i want to see if the differences are really that great once you are immersed in the music. i would want to use clean-copy decent recordings, but NOT necessarily audiophile pressings (since i only have a few).
Just so more of my (amateurish) thoughts. we're still talking over $7500 here so even this example is hardly cheap, but it might just keep ME happy for a very long time. Or hell, why NOT the SME-30 (or an Amazon reference?).