Vocalists/Musicians Wasting Their Talent


Since music is now much more about achieving a high publicity profile and making money than making great records, as the ascendancy of artists like Eminem (is that how you spell it?) demonstrates, I wonder if anyone has any opinions about any artists of today or the past, singing in whatever musical genre, who have consistently pursued the almighty dollar instead of maximizing their talent to sing great, memorable songs? I wonder why the recording industry continues to push artists to put out crap when SOME of them are capable of great things? Also, I wonder why artists with great talent and great power in the industry to control their own destiny continue to accept it. Examples and comments are appreciated.
rayhall

Showing 2 responses by wehamilton

My comments may be slightly off the thread, but related. I think we'd all agree that the music industry as well as the talent pool clearly go through cycles of greatness to mediocrity and back. Just as the great rock era of 1967-1974 (approx.) was followed by the mediocrity of disco and a decline of rock later in the decade, we are currently in a mediocre period- have been for years. Iv'e read articles that even the record producers realize it too, but don't really know what to do about it.

Much has been written about the influence of the video and the importance of a camera friendly young face for TV. Muscial "acts" have replaced musicianship and virtuosity, and choreography and costumes are more important than creativity. Madonna, who probably started the modern era we're now in had talent, as did some of the early Rap pioneers. But now the bar has been lowered to such a point as to not even call the people who have followed musicians. There have always been teen stars and others of marginal talent, but the mediocrity of today's batch is almost embarassing. This level of performance used to be confined to bands that played high school dances, now they have record contracts (if they're sexy).

The talent is still out there, to be sure, but w/o the need to sacrifice to develop the level of musicianship of the past, I think very few are approaching the virtuosity of prior generations. As I watched Ken Burns Jazz, the primary thing I took away after 17 hours was the decline in musicianship of the modern era vs. the 1930's to 50's. Pride, hard work, self-sacrifice, and competition among musicians produced some extraordinary talent. Today that is largely missing from the music scene because it takes a long time and a lot of work to develop. It also takes role models which are currently nowhere in sight.

The search is for the next fresh face to launch into celebrity status, not the next great sound. In this evironment, I think even the big name stars have much less motivation to strive for the next level of greatness, because let's face it, nobody's going to bust their butt if they don't have to. It's a sad state of affairs, but histroy has taught us the cycle will turn and eventually move in the other direction. In the meantime, we can use it as an opportunity to explore some of the great music from previous eras.
Thanks, Adamanteus. Harry "Sweets" Edison was quoted as saying "I'd rather be a mediocre originator than a perfect imitator." Problem is, today we seem to have mediocre imitators, and it shows.

I agree serious musicians are still around (many are drawn to classical) and still "suffer for their art" but very few people find starving as noble as it was in the past. Unfortunately, classical seems to be in an economic, if not artistic, slump. Even I, who was raised on rock and classical, find myself listening to it less and less.

It may be a middle-aged phenomenon, but I've been on a Jazz bender of heroic proportions and have really been getting into this previously undiscovered (by me) treasure chest. As I've gotten older, it seems the structure of classical appeals less and the freedom of jazz appeals more. I guess I've become a musical anarchist!