Vandersteen Quattro review in Stereophile


Some of you may recall the rather heated discussion that occured in this forum some months back stimulated from a "Watchdog" piece by Richard Hardesty that made it to these pages where he slammed the Wilson Maxx speakers.
Hardesty has been and still is a very avid supporter of Vandersteen designed speakers.
It was with great interest that I read Michael Fremer's review of the Quattro. It was a very positive review and he did bring up the previous thread that was generated here.
He admitted that maybe Hardesty was right about the sound of the Vandersteen's and declared the Quattro one of, if not the, best bargains in audio speakers. He also admitted that it was better in some ways{which are actually important to me} than the Wilson Maxx( a speaker I personally respect but don't particularly like for the money) and offered up a lot for much less money($44,000 vs $7500 including the required filters.)
It is not my point here to bring all this back up but to say I was glad to see that Fremer and Stereophile do honest reviews and I think he handled the previous disagreement well (after he heard for himself) with what I would consider somewhat of an admission that maybe Hardesty isn't as nuts as he was originally made out to be. I have always thought Fremer wrote excellent reviews and I had a feel for where he was coming from even though I certainly didn't agree with everything he said. I was disappointed how he responded to Hardesty but I'm truly glad to see his appreciation of what Vandersteen can do for a lot less money. Now he needs to review the 5a (or the soon to be released 5a Signature.) I think he would find, when properly set up like all Vandersteen's speakers, a real treasure for the money.
bigtee

Showing 3 responses by drubin

The price difference between the two Quattros shows you how much cabinet contributes to speaker costs and why Vandersteen has always represented such a good value (but not such an attractive speaker).

I would have a hard time putting the non-wood Quattro in my living room. I think the shape and proportions of the Quattro are all wrong aesthetically, but the wood makes it more palatable. How does it affect the sound, I wonder?
If you listen to orchestral and organ (as well as jazz, rock, country and
everything else like me) and like a sound that spreads across the room and are
not shy about realistic volumes, than belly up to the bar boys & girls.
Does this mean they have to be cranked up to sound good?

And by the way, folks, Quatro has just one "t".