Upgrade path from Wilson WattPuppy 7s? - seeking advice


I have a McIntosh system with a 275 tube amp, plus some PS Audio equipment. I play many different kinds of music - from Joe Bonamassa to Johannes Brahms.

I like the analytical quality of the WP 7's. They do seem to lack some midrange and do reproduce rock as well as some other speakers. So I previewed the following at Paragon Sound in Ann Arbor, and the price is a consideration. Here are my thoughts but am seeking advice:

(1) B&W 802 D3 - Better with rock, a bit mellow and not as analytical as the WP 7's. Better midrange than my current speakers.
(2) Wilson Alexia 1 - A bit pricey even with a hefty discount. Of interest, I found some of the higher resolution music files to be reproduced with too much complexity. The ability to discriminate transients, a feature of the WP speakers, seem to be diminished in the more elaborate sound provided by these speakers.

Any other suggestions? I do not want to spend a great deal of money, but have the ability if necessary.

Thanks in advance for any advice - Gerry
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Showing 2 responses by gerryah930

Great advice from everyone here, and thank-you so much. Some thoughts:

1. The Vandersteen 7's seem of interest, but I am somewhat concerned with speakers containing a built-in amplifier (but I am not that knowledgeable), and like many speaker companies, their prices seem to have climbed a bit.
2. Although I am a former violinist, I find the Sonus Farber and B&W speakers to be too sweet and not as analytical as the Wilson WP7's. I am a scientist and tend to hyper-focus when I listen to music.
3. I am never opposed to looking at older speakers.
4. I am a big fan of speakers that are fast at reproducing transients.

Any more advice is greatly appreciated. I hope I am not being too selfish here. Thanks - Gerry
Folks-

I appreciate all the advice. I have listened to the lower-priced Vandersteen Quatro CT speakers, which I liked a great deal for their musicality, though maybe because the room was not quite right, they did not seem to have the same "separation of instrumental voices" provided by the Wilson WP7's. I call this sound "analytical", but that may be the wrong descriptor.

My rant and my apologies - It seems that all of the audio manufacturers are trying only to capture market share from the wealthy. I grew up listening to custom-made Bozak speakers (from Ed, who was a friend of my fathers) and hung out in New Haven, CT at a now defunct shop called David Dean Smith (high-end audio). Back then (the 1960's), the highest priced audiophile components were still affordable by the middle class.  Now the list price of the Vandersteen MKII speakers is $62K, the Wilson Alexandria XLF is $210K, the Sonus farber Aida is $120K. I have listened to all of these, and they are not worth these prices even if I can afford them. 

The margins must be very large for these audiophile manufacturers. By comparison, my wife and I have owned and raced 15 different Porsches (from $60K for a 1992 911 S2 Turbo, $200K for a 1994 993 GT Evo and $400K for an RSR - more for engine maintenance and race set-up). Porsche makes some of the largest margins among automobile manufacturers, but the experience of driving and racing these cars cannot be experienced in other ways. However, I can listen to Joshua Bell and the NY Philharmonic in person and he sounds better than any recording played on any high-end audiophile sound system. I don't get it.

Back to reality - here is what I have decided to try:
1. An Audio Research tube amp instead of the McIntosh 275;
2. A used or demo Wilson Sabrina, Sasha or Yvette if I can find any of these for sale at a discount - I do not like the sound of the higher-priced Wilson speakers - I find their sound to be too diffuse and melodic;
3. Possible switch to another DAC - MQA or Bluesound is possible, but not likely;
4. I also going to listen to Paradigm speakers, but I am not sure there is a local distributor here in Ann Arbor, MI.

Thank-you all very much - I learned a great deal. Gerry